Displaying 251 - 275 of 334
Article
Chechyk, Valentyna.
Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.
Article
Jocoy, Stacey.
Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.
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Grant, Teresa.
"With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.
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Šalounová, Kateřina.
Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.
Article
Daniel, Clara.
Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.
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Stehlíková, Karolína, Lollike, Christian.
I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.
Article
Poláčková, Eliška.
Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.
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Kačer, Tomáš, Drozd, David.
(Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.
Article
Ambros, Veronika.
Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.
Article
Drábek, Pavel.
A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.
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Meerzon, Yana.
The magic of a toolbox : The Prague School in Theatre pedagogy : analysis, comprehension, creativity. Theatralia. 2020, vol. 23, iss. 1, pp. 89–104.
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Musilová, Martina.
Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.
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Pożar, Przemysław.
The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.
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Havlíčková Kysová, Šárka.
Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.
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Osolsobě, Petr.
The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.
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Turzíková, Tereza.
On performance/performativity today and tomorrow. Theatralia. 2020, vol. 23, iss. 1, pp. 175–177.
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Maryška, Martin.
Theatre graphics and graphic theatre : Zich's semantics in posters and publicity. Theatralia. 2020, vol. 23, iss. 1, pp. 105–129.
Article
Shurma, Svitlana.
I choose March': Les Kurbas, Avant-garde Berezil and Shakespeare : review of Irena R. Makaryk's Shakespeare in the Undiscovered Bourn (2004). Theatralia. 2020, vol. 23, iss. 1, pp. 163–167.
Article
Kačer, Tomáš, Volek, Emil, Pérez-Simón, Andrés.
Interview with Emil Volek and Andrés Pérez-Simón, translators of Zich's 'The Theatrical Illusion'. Theatralia. 2020, vol. 23, iss. 1, pp. 151–156.
Article
Locke, Brian S..
Ruthless polyphony and audible silences : musico-dramatic narrative in Otakar Zich's Vina. Theatralia. 2020, vol. 23, iss. 1, pp. 62–80.
Article
Shurma, Svitlana, Kornienko, Nelly.
Interview with Nelly Kornienko. Theatralia. 2020, vol. 23, iss. 1, pp. 157–161.
Article
Schmid, Herta.
Aristotelism in Czech structuralism : Jan Mukařovský and Otakar Zich. Theatralia. 2020, vol. 23, iss. 1, pp. 44–53.