Displaying 201 - 225 of 1618
Article
Blake, Jason.
[Dvořák, Marta. Mavis Gallant: The Eye and the Ear]. The Central European journal of Canadian studies. 2020, vol. 15, iss. [1], pp. 117–119.
Article
Nándori, Rita.
Arctic Songs: a journey towards a new tradition from pre-Contact to contemporary Inuit poetry. The Central European journal of Canadian studies. 2020, vol. 15, iss. [1], pp. 17–34.
Article
Weretiuk, Oksana.
Art incarnating an act of ethnic resistance and transcending national boundaries : Allen Sapp. The Central European journal of Canadian studies. 2020, vol. 15, iss. [1], pp. 53–64.
Article
Svoboda, František.
Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.
Article
Khokhlova, Elena.
On monotony of opera playbill and underlying economy. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 65–78.
Article
Tazelaar, Kees.
Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.
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Cseres, Jozef.
Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.
Article
Ladič, Branko.
Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 79–87.
Article
Fulka, Vladimír.
Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.
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Ščepán, Michal.
New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.
Article
Horáková, Jana.
Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.
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Richards, John.
Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.
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Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.
Article
Landy, Leigh.
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.
Article
Rabinovitch, Gilad.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.
Article
Armand, Louis.
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.
Article
Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
Article
Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.
Article
Zagorski, Marcus.
The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.
Article
Rataj, Michal.
Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.
Article
Štěpánová, Martina, Kozel, David.
Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 103–116.
Article
Petőczová, Janka.
Musical life in urban communities of North-Eastern Slovakia in the period of reformation. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 39–55.
Article
Dostálová, Magdalena.
Tracking the disseminated sources for compositional work of music theorist-abbot-composer Johannes Nucius. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 75–85.
Article
Michálková Slimáčková, Jana.
Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 5–14.