Displaying 51 - 75 of 213
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Macek, Petr, Steinmetz, Karel.
Miloš Štědroň at 65. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2006, vol. 55, iss. H41, pp. 7–9.
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Macek, Petr, Poledňák, Ivan.
In memoriam on the seventieth birthday of Jiří Fukač. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2003-2005, vol. 52-54, iss. H38-40, pp. 7–13.
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Two Smetana biographies in English. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1973, vol. 22, iss. H8, pp. 185–186.
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Osolsobě, Petr.
Kierkegaard's aesthetics of music : a concept of the musical erotic. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1992-1993, vol. 41-42, iss. H27-28, pp. 97–106.
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Malonova, Magdalena.
[Čomakov, Dinko. Leoš Janaček]. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1972, vol. 21, iss. H7, pp. 172–174.
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Beckerman, Michael.
Country boys, city air, reflections on Janáček, Brno and the rest of the world in memory of Jiří Fukač. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2003-2005, vol. 52-54, iss. H38-40, pp. 79–84.
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Vereš, Jozef.
Music in an aggressive massmedial space. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2003-2005, vol. 52-54, iss. H38-40, pp. 283–287.
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Svoboda, František.
Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.
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Khokhlova, Elena.
On monotony of opera playbill and underlying economy. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 65–78.
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Tazelaar, Kees.
Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.
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Cseres, Jozef.
Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.
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Ladič, Branko.
Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 79–87.
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Fulka, Vladimír.
Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.
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Ščepán, Michal.
New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.
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Horáková, Jana.
Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.
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Richards, John.
Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.
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Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.
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Landy, Leigh.
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.
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Rabinovitch, Gilad.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.
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Armand, Louis.
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.
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Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
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Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.
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Zagorski, Marcus.
The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.
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Rataj, Michal.
Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.
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Štěpánová, Martina, Kozel, David.
Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 103–116.