Displaying 176 - 200 of 561
Chapter
Drábek, Pavel.
Introduction. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 9–26.
Chapter
Drábek, Pavel.
Fletcher's dramatic extremism. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 111–140.
Chapter
Drábek, Pavel.
From source to play: Bonduca. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 95–110.
Chapter
Drábek, Pavel.
Modern stage conventions of realism : a defence of mimetic inconsistencies. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 27–40.
Chapter
Drábek, Pavel.
Plats and plays. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 61–80.
Chapter
Drábek, Pavel.
To the reader. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 7–8.
Chapter
Drábek, Pavel.
Subjective allegories : the fictional here-and-now, or, What may be digested in a play?. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 141–174.
Chapter
Drábek, Pavel.
[Appendices]. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 180–205.
Chapter
Drábek, Pavel.
Sources of Bonduca. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 81–94.
Chapter
Drábek, Pavel.
Bibliography. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 206–214.
Chapter
Drábek, Pavel.
Theatre and theory: modern conventions of ideology. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 41–60.
Chapter
Racek, Jan.
Schlusswort. In: Racek, Jan. Stilprobleme der italienischen Monodie : ein Beitrag zur Geschichte des einstimmigen Barockliedes.
1965, pp. 213–215.
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Strmiska, Maxmilián.
The notions "person" and "personality" and Gollian historiography : some remarks. Sborník prací Filozofické fakulty brněnské univerzity. C, Řada historická. 1991, vol. 40, iss. C38, pp. 125–133.
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Hejl, František.
The Salonican brothers Constantine and Methodius and their role in development of the European Christian universe. Sborník prací Filozofické fakulty brněnské univerzity. C, Řada historická. 1992, vol. 41, iss. C39, pp. 19–29.
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Melicharová, Petra.
William of Tyre : shaping of anti-Byzantine sentiments in the period preceding the fourth crusade. Sborník prací Filozofické fakulty brněnské univerzity. C, Řada historická. 2004, vol. 53, iss. C51, pp. 5–16.
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Havlík, Lubomír Emil.
Constantine and Methodius in Moravia : (the role played by the Byzantine mission in the political relations of Great Moravia to the Franconian Empire, Byzantium and to the Roman Curia.). Sborník prací Filozofické fakulty brněnské univerzity. C, Řada historická. 1964, vol. 13, iss. C11, pp. 27–50.
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Konečný, Zdeněk, Mainuš, František.
British prisoners-of-war in Czechoslovakia and Upper Silesian territory during the Second World War. Sborník prací Filozofické fakulty brněnské univerzity. C, Řada historická. 1966, vol. 15, iss. C13, pp. 147–162.
Article
Plassard, Didier.
Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.
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Raiterová, Eliška.
To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.
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Orawczak Kunešová, Mariana, Béhar, Henri.
Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.
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Šlaisová, Eva.
Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.
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Slavkova, Iveta.
A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre. Theatralia. 2022, vol. 25, iss. 1, pp. 163–165.
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Veselovska, Hanna.
Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.
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Toporišič, Tomaž.
The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.
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Jochmanová, Andrea, Orawczak Kunešová, Mariana.
The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.