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Article
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Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.
Article
Slouka, Petr.
Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.
Article
Ryszka-Komarnicka, Anna.
Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.
Article
Selfridge-Field, Eleanor.
The Teatro Sant'Angelo : cradle of fledgling opera troupes. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 157–170.
Article
Page, Janet K..
Vienna's Ursuline Convent and the Via Allemagna : travel, music, letters. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 47–56.
Article
Jochymczyk, Maciej.
Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 251–260.
Article
Freemanová, Michaela.
Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 175–187.
Article
Jeż, Tomasz.
Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 261–273.
Article
Ryszka-Komarnicka, Anna.
Arcangelo Spagna's "perfetto melodramma spirituale" as seen on the example of two versions of his oratorio based on the Book of Judith. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 73–88.
Article
Mellace, Raffaele.
From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 235–249.
Article
Khokhlova, Elena.
Opera in cinema: aspects of video expressive means in modern opera. Musicologica Brunensia. 2015, vol. 50, iss. 2, pp. 147–155.
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Snoj, Vid.
The presentation of the demonic in Gogol's tales. In: N. V. Gogol: Bytí díla v prostoru a čase : (studie o živém dědictví).
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Interjections in the novel Dead souls by N.V. Gogol. In: N. V. Gogol: Bytí díla v prostoru a čase : (studie o živém dědictví).
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Drábek, Pavel.
Introduction. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 9–26.
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Drábek, Pavel.
Fletcher's dramatic extremism. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
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Drábek, Pavel.
From source to play: Bonduca. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 95–110.
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Drábek, Pavel.
Modern stage conventions of realism : a defence of mimetic inconsistencies. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 27–40.
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Drábek, Pavel.
Plats and plays. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625).
2010, pp. 61–80.