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Displaying 176 - 200 of 243

Article
Beck, Kimberly. Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.

Article
Černá, Zuzana. Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.

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Urniežius, Rytis. The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.

Article
Haas, Petr. The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.

Article
Beckerman, Michael. Klein the Janáčkian. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 25–33.

Article
Tyrrell, John. Janáček, religion and belief. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 209–215.

Article
Špaček, Jan. Private feelings and public statements in the music of Dmitry Shostakovich. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 203–208.

Article
Appendices [– Photo gallery]. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 233–254.

Article
Kopecký, Jiří. Wagnerism in the Czech lands around 1900. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 83–90.

Article
Kokole, Metoda. Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.

Article
Page, Janet K.. Vienna's Ursuline Convent and the Via Allemagna : travel, music, letters. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 47–56.

Article
Jochymczyk, Maciej. Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 251–260.

Article
Freemanová, Michaela. Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 175–187.

Article
Jeż, Tomasz. Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 261–273.

Article
Ryszka-Komarnicka, Anna. Arcangelo Spagna's "perfetto melodramma spirituale" as seen on the example of two versions of his oratorio based on the Book of Judith. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 73–88.

Article
Mellace, Raffaele. From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 235–249.

Article
Khokhlova, Elena. Opera in cinema: aspects of video expressive means in modern opera. Musicologica Brunensia. 2015, vol. 50, iss. 2, pp. 147–155.

Article
Nedbal, Martin. Heinrich Wilhelm Haugwitz and the reception of Mozart's operas in early nineteenth-century Moravia. Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 43–57.

Article
Chew, Geoffrey. Little Bo-Peep has lost her sheep, and doesn't know where to find them, or, In search yet again of Czechness and Czech music. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 15–21.

Article
Zapletal, Miloš. Civilist tendencies in the inter-war Czech music : at the beginning of a research. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 237–251.

Article
Vejvodová, Veronika. An unsuccessful rehabilitation : performances of Dvořák's Armida in 1918–38. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 63–77.

Article
Baťa, Jan. Remarks on the Festivities of the Order of the Golden Fleece in Prague (1585). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 25–35.