Displaying 76 - 100 of 157
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Zelenková, Anna.
Frank Wollman – dramatický text ako intencionálna danosť. Theatralia. 2021, vol. 24, iss. 1, pp. 240–254.
Article
Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
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Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
Article
Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
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Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
Article
Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.
Article
Calvi, Lisanna.
"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.
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Hájková, Simona.
Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.
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Poláčková, Eliška.
Enacting the Bible in Medieval and Early Modern Drama. Theatralia. 2021, vol. 24, iss. 1, pp. 263–266.
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Škrobánková, Klára.
Notes on the new edition of Marcello's Il teatro alla moda. Theatralia. 2021, vol. 24, iss. 1, pp. 271–273.
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Katritzky, M. A..
William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia. 2021, vol. 24, iss. 1, pp. 313–356.
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Pavlišová, Jitka.
Vzácný moment v českém tanečněvědném diskurzu. Theatralia. 2021, vol. 24, iss. 1, pp. 287–290.
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Jochmanová, Andrea.
Poetika Osvobozeného v opavském výkřiku. Theatralia. 2021, vol. 24, iss. 1, pp. 284–286.
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Anderson, Misty G..
Behn's The Emperor of the Moon in 2020. Theatralia. 2021, vol. 24, iss. 1, pp. 299–302.
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Graziano, Alba.
Address pronouns revisited: a case of theatre and translation pragmatics. Theatralia. 2021, vol. 24, iss. 1, pp. 119–135.
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Bojda, Tomáš.
Rozhlasový režisér Josef Henke. Theatralia. 2021, vol. 24, iss. 1, pp. 216–239.
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Drábek, Pavel.
Shakespeare's treasure trove of Italian tales. Theatralia. 2021, vol. 24, iss. 1, pp. 274–278.
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Mareček, Luboš.
Autorsky rozeklaný portrét dvojčat. Theatralia. 2021, vol. 24, iss. 1, pp. 291–294.
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Turzíková, Tereza.
In search for new realities in post-pandemic dystopia. Theatralia. 2021, vol. 24, iss. 1, pp. 309–311.
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Šalounová, Kateřina.
When audience in a theatre used to be a natural thing. Theatralia. 2021, vol. 24, iss. 1, pp. 279–283.
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van Hensbergen, Claudine.
The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.
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Šnircová, Soňa.
Metamodern sensibility in Jenni Fagan's 'The Waken'. Brno studies in English. 2021, vol. 47, iss. 1, pp. 243–254.