The selective narrator : construction of the past in Kazuo Ishiguro's An artist of the floating world

Source document: Brno studies in English. 2008, vol. 33, iss. 1, pp. [133]-142
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[1] Allrath, Gaby (1998) ''But why will you say that I am mad?': Textuelle Signale für die Ermittlung von unreliable narration'. In Nünning, Ansgar (ed.) Unreliable Narration: Studien zur Theorie und Praxis unglaubwürdigen Erzählens in der englischsprachigen Erzählliteratur Trier: WVT, 59–79.

[2] Fludernik, Monika (1999) 'Defining (In)Sanity: The Narrator of The Yellow Wallpaper and the Question of Unreliability'. In: Grünzweig, Walter and Solbach, Andreas (eds) Grenzüberschreitungen: Narratologie im Kontext/Transcending Boundaries: Narratology in Context. Tübingen: Narr, 75–95.

[3] Ishiguro, Kazuo (1986) An Artist of the Floating World. London: Faber and Faber Ltd.

[4] Nünning, Ansgar (1997) ''But why will you say that I am mad?': On the Theory, History, and Signals of Unreliable Narration in British Fiction'. Arbeiten zu Anglistik and Amerikanistik 22, 83–105.

[5] Petry, Mike (1999) ''Narratives of Personal Pasts': Kazuo Ishiguro in the Context of Postmodern British Fiction'. Narratives of Memory and Identity: The Novels of Kazuo Ishiguro. Frankfurt am Main: Lang. 14 Nov. 2006.

[6] Wong, Cynthia F. (1995) 'The Shame of Memory: Blanchot's Self-Dispossession in Ishiguro's A Pale View of Hills'. Clio: a Journal of Literature, History, and the Philosophy of History 24:2, 127–145.

[7] Wong, Cynthia F. (2000) Kazuo Ishiguro. Tavistock: Northcote House Publishers.