Title: Изобразительная поэтика романа-хроники Н.С. Лескова "Соборяне" (сцена купания) в свете иконописной и живописной традиций
Transliterated title
Izobrazitel'naja poetika romana-chroniki N.S. Leskova "Soborjane" (scena kupanija) v svete ikonopisnoj i živopisnoj tradicij
Variant title:
- Figural poetics of N. Leskov's novel-chronicle "The Cathedral Clergy" (the Bathing Scene) in the aspect of icon and painting traditions
Source document: Новая русистика. 2020, vol. 13, iss. 1, pp. 29-36
Extent
29-36
-
ISSN1803-4950 (print)2336-4564 (online)
Persistent identifier (DOI): https://doi.org/10.5817/NR2020-1-3
Stable URL (handle): https://hdl.handle.net/11222.digilib/142772
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
The present article analyses figural poetics of the well-known chronicle "The Cathedral Clergy" written by N. Leskov. In the article were recognised two central images of the bathing scene: the image of Ahilla Desnicyn and the Red Horse. Besides there were determined iconographic and pictorial ("Bathing of a Red Horse" K. Petrov-Vodkin) contexts of the image of the Red Horse in the bathing scene. Complicated synthesis of iconographic and pictorial image principles defines particular qualities of Leskov's poetics, which is at the same time holistic and contrasting. It is established that Leskov's figural poetics can be interpreted not only according to the laws of a verbal art, but also as a visual art.