Title: Metal a akademické studium náboženství aneb proč by se religionistika měla o metal zajímat, se zaměřením na téma metal a satanismus
Variant title:
- Metal and the academic study of religions or why should the study of religions be interested in metal, or focused on the topic metal and Satanism
Source document: Sacra. 2017, vol. 15, iss. 2, pp. 7-32
Extent
7-32
-
ISSN1214-5351 (print)2336-4483 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/142123
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
This text attempts to show that metal is an interesting research area not only for metal studies but also for the contemporary study of religions. It describes three main approaches to the study of metal (as a specific part of popular culture) and religion(s): 1) religions in metal 2) metal as a religion 3) public discussion about metal related to religion. All these approaches to the study of the relationship between metal and religion are specifically demonstrated in the area "metal and Satanism."
Note
Text vznikl v rámci projektu specifického výzkumu INTERVYR – Internacionalizace výzkumu v religionistice (MUNI/A/0873/2016), řešeného Ústavem religionistiky FF MU v roce 2017. Rád bych na tomto místě poděkoval Matoušovi Mokrému za cenné připomínky při finalizaci textu.
References
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[24] Geertz, C. (2000). Náboženství jako kulturní systém. In: C. Geertz, Interpretace kultur: Vybrané eseje (pp. 103–145). Praha: Sociologické nakladatelství.
[25] Granholm, K. (2011). "Sons of Northern Darkness": Heathen Influences in Black Metal and Neofolk Music. Numen, 58(4), 514–544. | DOI 10.1163/156852711X577069
[26] Granholm, K. (2013). Ritual Black Metal: Popular Music as Occult Mediation and Practice. Correspondences, 1(1), 5–33.
[27] Hebdige, D. (2012). Subkultura a styl. Praha: Dauphin/Volvox Globator.
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[29] Christe, I. (2010). Ďáblův hlas: Heavy metal: Kompletní historie pro znalce. Praha: BB/art.
[30] Introvigne, M. (2016). Satanism: A Social History. Leiden – Boston: Brill.
[31] Introvigne, M. (2017). "I Worship Death, Evil, and All Darkness": Black Metal and Satanism. La Rosa di Paracelso, 1(2), 11–27.
[32] Kahn-Harris, K. (2007). Extreme Metal: Music and Culture on the Edge. Oxford – New York: Berg.
[33] Kahn-Harris, K. (2010). How Diverse Should Metal Be?: The Case of Jewish Metal. In N. W. R. Scott & I. Von Helden (Eds.), The Metal Void: First Gatherings (pp. 110–119). Oxford: Inter-Disciplinary Press.
[34] Kolářová, M. (Ed.) (2011). Revolta stylem: Hudební subkultury mládeže v České republice. Praha: Sociologické nakladatelství – Sociologický ústav AV ČR, V. V. I.
[35] Kupka, P., Laryš, M., & Smolík, J. (2009). Krajní pravice ve vybraných zemích střední a východní Evropy: Slovensko, Polsko, Ukrajina, Bělorusko, Rusko. Brno: Masarykova univerzita, Mezinárodní politologický ústav.
[36] LeVine, M. (2008). Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam. New York: Three Rivers Press.
[37] Magout, M. (9.10.2013). Heavy Metal as Religion and Secularization as Ideology. The Religious Studies Project. Nalezeno [31.3.2019] na http://www.religiousstudiesproject.com/2013/10/09/heavy-metal-as-religion-and-secularization-asideology-by-mohammad-magout/.
[38] Mareš, M. (2003). Pravicový extremismus a radikalismus v ČR. Brno: Barrister & Principal.
[39] Mareš, M. (2005). Terorismus v ČR. Brno: Centrum strategických studií.
[40] Moberg, M. (2009). Popular Culture and the 'Darker Side' of Alternative Spirituality: The Case of Metal Music. Scripta Instituti Donneriani Aboensis, 21, 110–128. | DOI 10.30674/scripta.67347
[41] Moberg, M. (2012). Religion in Popular Music or Popular Music as Religion?: A Critical Review of Scholarly Writing on the Place of Religion in Metal Music and Culture. Popular Music and Society, 35(1), 113–130. | DOI 10.1080/03007766.2010.538242
[42] Moberg, M. (2015). Christian Metal: History, Ideology, Scene. London – New Delhi – New York – Sydney: Bloomsbury.
[43] Moynihan, M. & Søderlind, D. (1998). Lords of Chaos: The Bloody Rise of the Satanic Metal Underground. Los Angeles: Feral House.
[44] Muggleton, D. (2000). Inside Subculture: The Postmodern Meaning of Style. Oxford: Berg Publisher Ltd.
[45] Mørk, G. (2009). "With my Art I am the Fist in the Face of god": On Old-School Black Metal. In Petersen, A. J. (Ed.), Contemporary Religious Satanism: A Critical Anthology (pp. 171–198). Oxford: Ashgate.
[46] Partridge, Ch. H. (2004). The Re-Enchantment of the West: Volume 1: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[47] Partridge, Ch. H. (2005). The Re-Enchantment of the West: Volume 2: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[48] Partridge, Ch. H. & Christianson, E. S. (2014). Introduction: A Brief History of Western Demonology. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 1–21). London – New York: Routledge.
[49] Petersen, A. J. (2005). Modern Satanism: Dark Doctrines and Black Flames. In Lewis, R. J. & Petersen, A. J. (Eds.), Controversial New Religions (pp. 423–457). New York: Oxford UP.
[50] Senholt, J. C. (2012). Political Esotericism and the Convergence of Radical Islam, Satanism, and National Socialism in the Order of Nine Angles. In P. Faxneld & J. A. Petersen (Eds.), The Devil's Party: Satanism in Modernity (pp. 250–274). Oxford: Oxford University Press.
[51] Smolík, J. (2010). Subkultury mládeže: Uvedení do problematiky. Praha: Grada.
[52] Smolík, J. (2017). Subkultury mládeže: Sociologické, psychologické a pedagogické aspekty. Brno: Mendelova univerzita v Brně.
[53] Suchánek, M. (2003). Satanismus jako hrozba pro vnitřní bezpečnost? Rexter, 1. Nalezeno [14.8.2011] na http://www.rexter.cz/satanismus-jako-hrozba-pro-vnitrnibezpecnost/2003/05/01/.
[54] Vaněk, J. (2010). Extrémní metal jako náboženství. Dingir, 13(1), 26–28.
[55] Vaněk, M. (2010). Byl to jenom rock'n'roll?: Hudební alternativa v komunistickém Československu 1956–1989. Praha: Academia.
[56] Vrzal, M. (2009). "Satan, Ódin, Hitler": Spojení satanismu, pohanství a ultrapravicové ideologie v black metalové subkultuře. Sacra, 7(1), 5–24.
[57] Vrzal, M. (2015). Okultní aspekty v metalové hudbě: Od hororového stylu k temné spiritualitě. Sacra, 13(2), 5–29.
[58] Vrzal, M. (2017). Pagan Terror: The Role of Pagan Ideology in Church Burnings and the 1990s Norwegian Black Metal Subculture. The Pomegranate, 19(2), 173–204.
[59] Vrzal, M. & Vencálek, M. (2016). Nejsou rohy jako rohy: Vztah moderního pohanství a satanismu. Sacra, 14(2), 37–53.
[60] Walser, R. (1993). Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover: Wesleyan UP.
[61] Wallach, J., Berger, H. M., & Greene, P. D. (Eds.) (2011). Metal Rules the Globe: Heavy Metal Music Around the World. Durham – London: Duke University Press.
[62] Weinstein, D. (1991). Heavy Metal: A Cultural Sociology. New York: Lexington Books.
[63] Weinstein, D. (2014). Pagan metal. In D. Weston & A. Bennett (Eds.), Pop pagans: Paganism and popular music (pp. 58–75). New York: Routledge.
[2] BEHEMOTH LYRICS: album: "The Satanist" (2014). (n.d.). In DarkLyrics.com. Nalezeno [31.3.2019] na http://www.darklyrics.com/lyrics/behemoth/thesatanist.html#4.
[3] Dick, J. (11.6.2014). Interview: Erik Danielsson of Watain. Invisible Oranges. Nalezeno [31.3.2019] na http://www.invisibleoranges.com/interview-erik-danielsson-of-watain-2/.
[4] English version of an interview with Infernus from Newsweek Poland. (n.d.). Nalezeno [31.3.2019] na http://web.archive.org/web/20071012170952/
[5] Everburning (7.10.2004). Gorgoroth. Tartarean Desire Webzine. Nalezeno [31.3.2019] na https://web.archive.org/web/20160303214650/
[6] Exorcistu na ně. (2017). Fakker, 9, 18.
[7] Havlena, D. (2017). Arch Enemy: S ďáblem se nepřátelíme, Fakker, 9, 16–20.
[8] He is Lyrics. (n.d.). In Genius. Nalezeno [22.8.2019] na https://genius.com/Ghost-he-islyrics.
[9] Kalinauskaite, J. (25.4.2014). Arkona interview with Masha "Scream" – April 2014. Planetmosh. Nalezeno [4.9.2015] na http://planetmosh.com/arkona-interview-withmasha-scream-april-2014/.
[10] Lahdenpera, E. (1993). Northern Black Metal Legends: Interview with Euronymous. Kill Yourself, 2. Nalezeno [31.3.2019] na http://www.fmp666.com/moonlight/mayhem.html.
[11] Lawson, D. (24.11.2011). Occult rock: Do you believe in black magic? The Guardian: International Edition. Nalezeno [15.8.2019] na https://www.theguardian.com/music/2011/nov/24/occult-rock-black-widow-ghost.
[12] Lawson, D. (22.5.2014). Behemoth's Nergal: 'Satan stands for everything that is dear to me' – interview. The Guardian: International Edition. Nalezeno [31.3.2019] na https://www.theguardian.com/music/2014/may/22/behemoth-nergal-satan-everything-dear-tome-interview-leukaemia.
[13] Škarda, P. (28.4.2008). BigBoss: Kdo je úspěšný, je satanista. Brněnský deník.cz. Nalezeno na [31.3.2019] na Zdroj: https://brnensky.denik.cz/serialy/bigboss-kdo-je-uspesny-jesatanista20080428.html.
[14] Tuckey, B. (1.8.2010). God gave rock'n'roll to you: Will heavy metal be a religion on the next census? Independent. Nalezeno [31.3.2019] na https://www.independent.co.uk/artsentertainment/music/features/god-gave-rocknroll-to-you-will-heavy-metal-be-a-religionon-the-next-census-2037670.html.
[15] Twilightheart (18.3.2009). Gorgoroth. Sheol Magazine. Nalezeno [31.3.2019] na http://www.sheol-magazine.com/interviews/int_Gorgoroth2009_en.htm.
[16] Voas, D. (6.12.2012). Census 2011 – Any other religion? British Religion in Numbers. Nalezeno [31.3.2019] na http://www.brin.ac.uk/census-2011-any-other-religion/.
[17] Bromley, D. G. (1991). The Satanic Cult Scare. Society, 28(4), 55–66. | DOI 10.1007/BF02695610
[18] Brown, A. R., Spracklen, K., Kahn-Harris, K., & Scott, N. (Eds.) (2016). Global Metal Music and Culture: Current Directions in Metal Studies. New York – London: Routledge.
[19] Daniel, O. (2016). Násilím proti "novému biedermeieru": Subkultury a většinová společnost pozdního státního socialismu a postsocialismu. Příbram: Pistorius & Olšanská.
[20] Durkheim, É. (2002). Elementární formy náboženského života: Systém totemismu v Austrálii. Praha: Oikoymenh.
[21] Dyrendal, A. (2008). Devilish Consumption: Popular Culture in Satanic Socialization. Numen, 55(1), 68–98. | DOI 10.1163/156852708X289009
[22] Dyrendal, A. (2014). Satanism and Popular Music. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 25–38). London – New York: Routledge.
[23] Dyrendal, A., Lewis, J., & Petersen, J. A. (2016). The Invention of Satanism. New York. Oxford University Press.
[24] Geertz, C. (2000). Náboženství jako kulturní systém. In: C. Geertz, Interpretace kultur: Vybrané eseje (pp. 103–145). Praha: Sociologické nakladatelství.
[25] Granholm, K. (2011). "Sons of Northern Darkness": Heathen Influences in Black Metal and Neofolk Music. Numen, 58(4), 514–544. | DOI 10.1163/156852711X577069
[26] Granholm, K. (2013). Ritual Black Metal: Popular Music as Occult Mediation and Practice. Correspondences, 1(1), 5–33.
[27] Hebdige, D. (2012). Subkultura a styl. Praha: Dauphin/Volvox Globator.
[28] Hjelm, T., Kahn-Harris, K., & LeVine, M. (2011). Heavy Metal as Controversy and Counterculture. Popular Music History, 6(1–2), 5–18.
[29] Christe, I. (2010). Ďáblův hlas: Heavy metal: Kompletní historie pro znalce. Praha: BB/art.
[30] Introvigne, M. (2016). Satanism: A Social History. Leiden – Boston: Brill.
[31] Introvigne, M. (2017). "I Worship Death, Evil, and All Darkness": Black Metal and Satanism. La Rosa di Paracelso, 1(2), 11–27.
[32] Kahn-Harris, K. (2007). Extreme Metal: Music and Culture on the Edge. Oxford – New York: Berg.
[33] Kahn-Harris, K. (2010). How Diverse Should Metal Be?: The Case of Jewish Metal. In N. W. R. Scott & I. Von Helden (Eds.), The Metal Void: First Gatherings (pp. 110–119). Oxford: Inter-Disciplinary Press.
[34] Kolářová, M. (Ed.) (2011). Revolta stylem: Hudební subkultury mládeže v České republice. Praha: Sociologické nakladatelství – Sociologický ústav AV ČR, V. V. I.
[35] Kupka, P., Laryš, M., & Smolík, J. (2009). Krajní pravice ve vybraných zemích střední a východní Evropy: Slovensko, Polsko, Ukrajina, Bělorusko, Rusko. Brno: Masarykova univerzita, Mezinárodní politologický ústav.
[36] LeVine, M. (2008). Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam. New York: Three Rivers Press.
[37] Magout, M. (9.10.2013). Heavy Metal as Religion and Secularization as Ideology. The Religious Studies Project. Nalezeno [31.3.2019] na http://www.religiousstudiesproject.com/2013/10/09/heavy-metal-as-religion-and-secularization-asideology-by-mohammad-magout/.
[38] Mareš, M. (2003). Pravicový extremismus a radikalismus v ČR. Brno: Barrister & Principal.
[39] Mareš, M. (2005). Terorismus v ČR. Brno: Centrum strategických studií.
[40] Moberg, M. (2009). Popular Culture and the 'Darker Side' of Alternative Spirituality: The Case of Metal Music. Scripta Instituti Donneriani Aboensis, 21, 110–128. | DOI 10.30674/scripta.67347
[41] Moberg, M. (2012). Religion in Popular Music or Popular Music as Religion?: A Critical Review of Scholarly Writing on the Place of Religion in Metal Music and Culture. Popular Music and Society, 35(1), 113–130. | DOI 10.1080/03007766.2010.538242
[42] Moberg, M. (2015). Christian Metal: History, Ideology, Scene. London – New Delhi – New York – Sydney: Bloomsbury.
[43] Moynihan, M. & Søderlind, D. (1998). Lords of Chaos: The Bloody Rise of the Satanic Metal Underground. Los Angeles: Feral House.
[44] Muggleton, D. (2000). Inside Subculture: The Postmodern Meaning of Style. Oxford: Berg Publisher Ltd.
[45] Mørk, G. (2009). "With my Art I am the Fist in the Face of god": On Old-School Black Metal. In Petersen, A. J. (Ed.), Contemporary Religious Satanism: A Critical Anthology (pp. 171–198). Oxford: Ashgate.
[46] Partridge, Ch. H. (2004). The Re-Enchantment of the West: Volume 1: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[47] Partridge, Ch. H. (2005). The Re-Enchantment of the West: Volume 2: Alternative Spiritualities, Sacralization, Popular Culture, and Occulture. London – New York: T & T Clark International.
[48] Partridge, Ch. H. & Christianson, E. S. (2014). Introduction: A Brief History of Western Demonology. In Ch. H. Partridge & E. S. Christianson (Eds.), The Lure of the Dark Side: Satan and Western Demonology in Popular Culture (pp. 1–21). London – New York: Routledge.
[49] Petersen, A. J. (2005). Modern Satanism: Dark Doctrines and Black Flames. In Lewis, R. J. & Petersen, A. J. (Eds.), Controversial New Religions (pp. 423–457). New York: Oxford UP.
[50] Senholt, J. C. (2012). Political Esotericism and the Convergence of Radical Islam, Satanism, and National Socialism in the Order of Nine Angles. In P. Faxneld & J. A. Petersen (Eds.), The Devil's Party: Satanism in Modernity (pp. 250–274). Oxford: Oxford University Press.
[51] Smolík, J. (2010). Subkultury mládeže: Uvedení do problematiky. Praha: Grada.
[52] Smolík, J. (2017). Subkultury mládeže: Sociologické, psychologické a pedagogické aspekty. Brno: Mendelova univerzita v Brně.
[53] Suchánek, M. (2003). Satanismus jako hrozba pro vnitřní bezpečnost? Rexter, 1. Nalezeno [14.8.2011] na http://www.rexter.cz/satanismus-jako-hrozba-pro-vnitrnibezpecnost/2003/05/01/.
[54] Vaněk, J. (2010). Extrémní metal jako náboženství. Dingir, 13(1), 26–28.
[55] Vaněk, M. (2010). Byl to jenom rock'n'roll?: Hudební alternativa v komunistickém Československu 1956–1989. Praha: Academia.
[56] Vrzal, M. (2009). "Satan, Ódin, Hitler": Spojení satanismu, pohanství a ultrapravicové ideologie v black metalové subkultuře. Sacra, 7(1), 5–24.
[57] Vrzal, M. (2015). Okultní aspekty v metalové hudbě: Od hororového stylu k temné spiritualitě. Sacra, 13(2), 5–29.
[58] Vrzal, M. (2017). Pagan Terror: The Role of Pagan Ideology in Church Burnings and the 1990s Norwegian Black Metal Subculture. The Pomegranate, 19(2), 173–204.
[59] Vrzal, M. & Vencálek, M. (2016). Nejsou rohy jako rohy: Vztah moderního pohanství a satanismu. Sacra, 14(2), 37–53.
[60] Walser, R. (1993). Running with the Devil: Power, Gender, and Madness in Heavy Metal Music. Hanover: Wesleyan UP.
[61] Wallach, J., Berger, H. M., & Greene, P. D. (Eds.) (2011). Metal Rules the Globe: Heavy Metal Music Around the World. Durham – London: Duke University Press.
[62] Weinstein, D. (1991). Heavy Metal: A Cultural Sociology. New York: Lexington Books.
[63] Weinstein, D. (2014). Pagan metal. In D. Weston & A. Bennett (Eds.), Pop pagans: Paganism and popular music (pp. 58–75). New York: Routledge.