Liveness and its pandemical other

Title: Liveness and its pandemical other
Source document: Theatralia. 2023, vol. 26, iss. 1, pp. 109-113
Extent
109-113
  • ISSN
    1803-845X (print)
    2336-4548 (online)
Type: Review
Language
Reviewed work
Bissell, Laura; Weir, Lucy (eds.). Performance in a Pandemic. London: Routledge, 2021. 164 pp. ISBN 978-0-367-76134-9.
 

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References
[1] AEBISCHER, Pascale, Susanne GREENHALGH and Laurie E. OSBORNE (eds.). 2018. Shakespeare and the 'Live' Theatre Broadcast Experience. London: The Arden Shakespeare, 2018.

[2] AUSLANDER, Philip. 2008. Liveness: Performance in a Mediatized Culture. London: Routledge, 2008.

[3] BENJAMIN, Walter. 1969 [1935]. The Work of Art in the Age of Mechanical Reproduction. Transl. by Harry Zohn. In Hannah Arendt (ed.). Illuminations. New York: Schocken Books, 1969: 217–252.

[4] CAPECE, Kendra and Patrick SCORESE (eds.). 2022. Pandemic Performance: Resilience, Liveness, and Protest in Quarantine Times. New York: Routledge, 2022.

[5] Live. 2022a. Merriam-Webster.com dictionary. [accessed on 1.11.2022]. Available online at https://www.merriam-webster.com/dictionary/live.

[6] Performance. 2022b. Merriam-Webster.com dictionary. [accessed on 1.11.2022]. Available online at https://www.merriam-webster.com/dictionary/performance.

[7] PHELAN, Peggy. 1993. Unmarked: The Politics of Performance. London: Routledge, 1993.

[8] SKAERLUND RISAGER, Bjarke. 2016. David Harvey: Neoliberalism is a Political Project [online]. [accessed on 2.11.2022]. Available online at https://jacobin.com/2016/07/david-harvey-neoliberalism-capitalism-laborcrisis-resistance/.