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Autoři. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická a filmologická. 2001, vol. 50, iss. Q4, pp. 157–160.

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Gajdoš, Július. Feministická teória a divadlo ako formy kultúrnej reprezentácie. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická a filmologická. 2001, vol. 50, iss. Q4, pp. 9–20.

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Rostinsky, Joseph N.. Conceptual models and symbolic perception in Japanese gay text. Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická a filmologická. 2001, vol. 50, iss. Q4, pp. 143–149.

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Havlíčková, Margita. Professional Theatre in Brno between 1668 and 1733. In: Havlíčková, Margita. Berufstheater in Brünn, 1668-1733. 2012, pp. 160.

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Havlíčková Kysová, Šárka. Summary. In: Havlíčková Kysová, Šárka. Hastábhinaja : gesta rukou v tradičním divadelním umění Indie. 2013, pp. 236.

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Drábek, Pavel. Introduction. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 9–26.

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Drábek, Pavel. Fletcher's dramatic extremism. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 111–140.

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Drábek, Pavel. From source to play: Bonduca. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 95–110.

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Drábek, Pavel. Modern stage conventions of realism : a defence of mimetic inconsistencies. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 27–40.

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Drábek, Pavel. Plats and plays. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 61–80.

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Drábek, Pavel. To the reader. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 7–8.

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Drábek, Pavel. Subjective allegories : the fictional here-and-now, or, What may be digested in a play?. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 141–174.

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Drábek, Pavel. [Appendices]. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 180–205.

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Drábek, Pavel. Sources of Bonduca. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 81–94.

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Drábek, Pavel. Bibliography. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 206–214.

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Drábek, Pavel. Theatre and theory: modern conventions of ideology. In: Drábek, Pavel. Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010, pp. 41–60.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Turzíková, Tereza. Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.