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Displaying 9961 - 9990 of 10173
Article
Stehlíková, Eva.
How to present ancient theatre on television. Theatralia. 2018, vol. 21, iss. 2, pp. 214–216.
Article
Turzíková, Tereza.
The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.
Article
Fergusson, Cat.
Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.
Article
Warstat, Matthias.
Obamovo tělo : performativní aspekty politické rétoriky. Theatralia. 2018, vol. 21, iss. 2, pp. 187–199.
Article
Zálešáková, Tereza.
What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.
Article
Inštitorisová, Dagmar.
The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.
Article
Tomaszewska, Ewa.
A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.
Article
Tagareva, Albena.
Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.
Article
Krajník, Filip.
Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.
Article
Matthews, Dan.
A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.
Article
Wild, Jana.
From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.
Article
Billing, Christian M., Havlíčková Kysová, Šárka.
Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.
Article
Kačer, Tomáš.
Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium. Theatralia. 2018, vol. 21, iss. 2, pp. 211–213.
Article
Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana.
Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.
Article
Lánská, Dita.
Theory as a 'tool-box': Brno Theatralia Conference 2018. Theatralia. 2018, vol. 21, iss. 2, pp. 220–222.
Article
Neuhuber, Christian.
Das Nikolsburger Piaristendrama Ein kurtzes Spiel oder Action von Bacchi Geburt Leben vnndt Todt (1654) : Kontext – Edition – Kommentar. Theatralia. 2019, vol. 22, iss. 2, pp. 13–78.
Article
Kubart, Tomáš.
"A teď jste všechno zkazili!" : CampQ. Theatralia. 2019, vol. 22, iss. 2, pp. 267–269.
Article
Ulrich, Paul S..
Die Dokumentation des deutschsprachigen Theaters in den böhmischen Ländern durch Theateralmanache und -journale. Theatralia. 2019, vol. 22, iss. 2, pp. 154–168.
Article
Štefanides, Jiří.
Společnost Josepha von Öttla v městském divadle v Olomouci (1780–1783). Theatralia. 2019, vol. 22, iss. 2, pp. 137–153.
Article
Vrbková, Jitka.
Divadlo diverzity : Theater RambaZamba v Berlíně. Theatralia. 2019, vol. 22, iss. 2, pp. 194–220.
Article
Solčániová, Ivona.
Perspektívy teatrológie 2019. Theatralia. 2019, vol. 22, iss. 2, pp. 251–256.
Article
Rudin, Bärbel.
Christian Janetzky : die (Wieder-)Entdeckung des barocken Entertainers. Theatralia. 2019, vol. 22, iss. 2, pp. 79–92.
Article
Mikyšková, Anna.
Z anglické renesance do německého baroka : cesta hry o sv. Dorotě z Anglie přes Český Krumlov do Švýcarska. Theatralia. 2019, vol. 22, iss. 2, pp. 107–122.