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Celhoffer, Martin. Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.

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Kajanová, Yvetta. World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.

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Urniežius, Rytis. Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.

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Pavlica, Lukáš. Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.

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Spáčilová, Jana. Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.

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Slouka, Petr. Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.

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Ryszka-Komarnicka, Anna. Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.

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Selfridge-Field, Eleanor. The Teatro Sant'Angelo : cradle of fledgling opera troupes. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 157–170.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Materna, Pavel. Congratulations. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 125.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.

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Efthimiou, Charris. About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.

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Procházková, Adéla. Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.

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Settari, Olga. The aesthetic views of music of Descartes and Comenius. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1997, vol. 46, iss. H32, pp. 5–14.

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Romportlová, Simona. The reflection of the monastical music in Czech musicology of the twentieth century - the select bibliography. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1997, vol. 46, iss. H32, pp. 67–81.

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Štědroň, Bohumír. "Ej, danaj" and "Zelené sem sela" in the Opera Jenufa by Janáček. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1970, vol. 19, iss. H5, pp. 91–104.

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Chew, Geoffrey. "Literaturoper" : a term still in search of a definition. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 5–13.

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Audus, Mark. Reconstructing the 1904 Její pastorkyňa : an introduction to the sources, methods and results. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 27–38.

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Christiansen, Paul. Was Janáček obsessed?. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 117–122.

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Levi, Erik. Janáček and the Third Reich. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 69–79.

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Chew, Geoffrey. Jenůfa as a social document. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 39–45.

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Pearl, Jonathan G. Secora. A musical journey through language. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 2007-2008, vol. 56-57, iss. H42-43, pp. 111–115.