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Armand, Louis. Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.

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Watt, Paul. Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.

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Flašar, Martin. Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.

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Zagorski, Marcus. The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.

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Rataj, Michal. Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.

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Štěpánová, Martina, Kozel, David. Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 103–116.

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Petőczová, Janka. Musical life in urban communities of North-Eastern Slovakia in the period of reformation. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 39–55.

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Dostálová, Magdalena. Tracking the disseminated sources for compositional work of music theorist-abbot-composer Johannes Nucius. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 75–85.

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Michálková Slimáčková, Jana. Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 5–14.

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Macek, Petr, Poledňák, Ivan. Stanislav Tesař at 70; Selected bibliography of the work of Stanislav Tesař. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 5–10.

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Macek, Petr. On the project of Czech Music Dictionary of Persons and Institutions. Musicologica Brunensia. 2019, vol. 54, iss. 2, pp. 55–62.

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Preface. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 3–5.

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Freemanová, Michaela. The Moravian monasteries of the Order of Brothers Hospitallers and their music collections. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 17–24.

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Mąndry, Alina, Frankowski, Patryk. Perneckher's Harmonia Pastorella and C. P. E. Bach's Trio in F − a rare example of compositions for concertato bass recorder. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 189–197.

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Dunlop, Alison Jayne. Forgotten musicians. Documenting musical life at the Viennese imperial court in the eighteenth century. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 93–112.

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Rawson, Robert G.. "Ab unisonis" - musical textures and genres and the echoes of paraliturgical practices. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 25–34.

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Walter-Mazur, Magdalena. An eight-part Manuscript L 1643 from the collection of the Diocesan Library in Sandomierz and it's provenance. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 7–15.

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Rykowski, Mikołaj. Art or craft? – significance of the sociological background in the artistic development of the harmoniemusik. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 179–187.

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Studeničová, Hana. Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.

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Stýblová, Magdaléna. Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.

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Stockigt, Janice B.. Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.

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Owens, Samantha. The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.

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Žůrek, Pavel. The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.

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Spurný, Lubomír. Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.

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Beck, Kimberly. Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.