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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Aaronson, Brenda C., Krader, Barbara. A partial survey of late 18th century publications of Czech music in Western Europe. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1965, vol. 14, iss. F9, pp. 13–21.

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Autoři. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 2003, vol. 52, iss. F47, pp. 117.

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Jakobson, Roman. Methodius' Canon to Demetrius of Thessalonica and the Old Church Slavonic Hirmoi. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1965, vol. 14, iss. F9, pp. 115–121.

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Werner, Juliane. Die Welt von Gestern und ihre Widersacher : (Dis)kontinuitäten in der österreichischen Nachkriegsliteratur. Brünner Beiträge zur Germanistik und Nordistik. 2020, vol. 34, iss. 2, pp. 65–80.

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Materna, Pavel. [Hintikka, Jaakko. Models for modalities: selected essays]. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1970, vol. 19, iss. B17, pp. 186.

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Materna, Pavel. [Lambert, Karel, ed. Philosophical problems in logic: some recent developments]. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1970, vol. 19, iss. B17, pp. 186.

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Slovo úvodem - Introduction. Brünner Beiträge zur Germanistik und Nordistik. 2013, vol. 27, iss. 1-2, pp. 5.

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Peroutková, Michaela, Tylečková, Lea. On the literary depiction of identity in post-war Czechoslavakia. Brünner Beiträge zur Germanistik und Nordistik. 2013, vol. 27, iss. 1-2, pp. 169–178.

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Fořt, Bohumil. Jiří Kratochvil's postloved postmodern. Sborník prací Filozofické fakulty brněnské univerzity. V, Řada literárněvědná bohemistická. 2006, vol. 55, iss. V9, pp. 87–101.

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Švachová, Romana. How to '(not) Arrive': Hélène Cixous's and Sara Stridsberg's drama vs. appropriation. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 125–136.

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Jurkovičová, Alžbeta. Don't sell tobacco to Dante: scribbled images of Tage Danielsson's Inferno. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 105–124.

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Šebek, Josef. Social space, physical space, representation of space: spatiality and Bourdieu's theory of the literary field. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 7–21.

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Lughofer, Johann Georg. Poetry Slam: heterogen und mehrsprachig im literarischen Feld. Brünner Beiträge zur Germanistik und Nordistik. 2021, vol. 35, iss. 2, pp. 63–76.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Šalounová, Kateřina. Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.

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Daniel, Clara. Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.

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Stehlíková, Karolína, Lollike, Christian. I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.