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Bacci, Michele, Dell'Acqua, Francesca, Foletti, Ivan, Michalsky, Tanja, Krüger, Klaus, Romano, Serena, Belting, Hans, Kesner, Ladislav.
Roundtable: Medieval art today, why?. Convivium. 2020, vol. 7, iss. 2, pp. 160–185.
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Foletti, Ivan.
[Dell'Acqua, Francesca. Iconophilia: politics, religion, preaching, and the use of images in Rome, c. 680–880]. Convivium. 2020, vol. 7, iss. 2, pp. 192–198.
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Marušić, Matko Matija.
Painted crosses and the trajectories of medieval image captions : evidence from thirteenth-century Zadar and beyond. Convivium. 2020, vol. 7, iss. 2, pp. 92–109.
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Palladino, Adrien.
[Bergmeier, Armin F. Visionserwartung: Visualisierung und Präsenzerfahrung des Göttlichen in der Spätantike]. Convivium. 2020, vol. 7, iss. 2, pp. 199–202.
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Vryzidis, Nikolaos.
Between three worlds : the "Veneto-Saracenic" candleholder of Docheiariou Monastery. Convivium. 2020, vol. 7, iss. 2, pp. 58–73.
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Roháček, Jiří.
The archive of the Institute of N. P. Kondakov. Convivium. 2014, vol. 1, iss. 1, pp. 219–221.
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Kubínová, Kateřina.
From the Frankish Empire to Prague: Evangeliary Cim 2 in the Library of the Prague Metropolitan Chapter. Convivium. 2014, vol. 1, iss. 1, pp. 126–135.
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Taddei, Alessandro.
A journey of men and names : Constantinople's Kosmidion and its Italian replicas. Convivium. 2014, vol. 1, iss. 1, pp. 20–31.
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Griebeler, Andrew.
Aeizōon to amaranton : intercultural collaboration in a late Byzantine nature study. Convivium. 2019, vol. 6, iss. 2, pp. 16–29.
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Bacci, Michele.
The rediscovery of a Byzantine capital, reused as a baptismal font, in the Nativity Church, Bethlehem. Convivium. 2019, vol. 6, iss. 2, pp. 122–127.
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Kapitaikin, Lev.
Human flight on a fabulous superbird : uplifting images between Sicily and Khurasan. Convivium. 2019, vol. 6, iss. 2, pp. 98–119.
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Dercks, Ute.
"... dove l'epidemia fotografica si è diffusa" : architectural photographs in nineteenth-century Sicily. Convivium. 2019, vol. 6, iss. 2, pp. 30–45.
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Bordino, Chiara.
The transfiguration and the Eikon of Christ : from Eusebius's letter to Costantina to the iconoclast era. Convivium. 2019, vol. 6, iss. 2, pp. 60–77.
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Foletti, Ivan, Scirocco, Elisabetta.
Environment, democracy, and Convivium. Convivium. 2019, vol. 6, iss. 2, pp. 11–13.
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Palladino, Adrien.
The Wolfgang Born – Kondakov Institute correspondence : art history, freedom, and the rising fear in the 1930s. Convivium. 2019, vol. 6, iss. 2, pp. 128–135.
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Hoch, Adrian S..
[The Art of Medieval Hungary]. Convivium. 2019, vol. 6, iss. 2, pp. 143–146.
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Kozlowski, Sarah K..
Trecento panel painting between the courts of Naples and Hungary : a hypothesis for Simone Martini's Saint Ladislaus and a Painting of Christ on the Cross. Convivium. 2019, vol. 6, iss. 2, pp. 78–97.
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Utidjian, Haig.
[Evans, Helen C. (ed.). Armenia: art, religion, and trade in the Middle Ages ; Maranci, Christina. The art of Armenia: an introduction]. Convivium. 2019, vol. 6, iss. 2, pp. 147–150.
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Foletti, Ivan, Cordez, Philippe.
A Convivium with Herbert L. Kessler: sharing objects, sensory experiences, and medieval art history. Convivium. 2021, vol. 8, iss. 1, pp. 17–25.
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Sureda i Jubany, Marc.
Faithful crosses: on the survival of an early type of goldsmith's cross in late Medieval Catalonia. Convivium. 2021, vol. 8, iss. 1, pp. 142–165.
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Adámková, Iva.
The sense of sight in the prologues of Theophilus Presbyter's De diversis artibus. Convivium. 2021, vol. 8, iss. 1, pp. 132–141.
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Pentcheva, Bissera V..
Divine anamorphosis: the phenomenality of gold and chant in a fourteenth-century antiphonary from Santa Maria sopra Porta. Convivium. 2021, vol. 8, iss. 1, pp. 186–217.
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Vysloužil, Jiří.
Notes on the poetics and dramaturgy of "The seven words of Christ" by Heinrich Schütz. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 19881989, vol. 37-38, iss. H23-24, pp. 19–26.
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Settari, Olga.
The Czech sacred song from the period of the Reformation. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 1994, vol. 43, iss. H29, pp. 5–11.
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Fukač, Jiří.
Inventing Eastern roots. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 20012002, vol. 50-51, iss. H36-37, pp. 23–29.
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Štědroň, Miloš.
Janáček and the paraphrase of operetta music? : marginalia on a passage in the fourth movement of Janáček's second string quartet "Intimate letters" that could seem to be suspicious for serving as a "mockery of the banal". Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 20012002, vol. 50-51, iss. H36-37, pp. 31–37.
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Osolsobě, Petr.
How could Shakespeare know there was a St. Luke in Padua?. Sborník prací Filozofické fakulty brněnské univerzity. H, Řada hudebněvědná. 20012002, vol. 50-51, iss. H36-37, pp. 117–125.