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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.

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Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

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Pérez-Simón, Andrés. Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.

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Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

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Christov, Petr. Tak pravil Jarryho Zelený pták (glosy ke třem překladům glos). Theatralia. 2012, vol. 15, iss. 1, pp. 151–168.

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Justl, Vladimír. O nepřeložitelnosti jazyka divadla. Theatralia. 2012, vol. 15, iss. 1, pp. 82–101.

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Macháček, Martin. Sedm kulí v Sarajevu. Theatralia. 2012, vol. 15, iss. 1, pp. 169–173.

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Stehlíková, Eva. How to present ancient theatre on television. Theatralia. 2018, vol. 21, iss. 2, pp. 214–216.

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Plautus. Curculio aneb Darmojed. Theatralia. 2018, vol. 21, iss. 2, pp. 237–267.

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Turzíková, Tereza. The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.

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Fergusson, Cat. Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.

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Warstat, Matthias. Obamovo tělo : performativní aspekty politické rétoriky. Theatralia. 2018, vol. 21, iss. 2, pp. 187–199.

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Zálešáková, Tereza. What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.

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Tagareva, Albena. Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.

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Krajník, Filip. Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.

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Wild, Jana. From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.

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Billing, Christian M., Havlíčková Kysová, Šárka. Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.

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Wild, Jana. Hlasy troch prekladateľov. Theatralia. 2018, vol. 21, iss. 2, pp. 204–207.

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Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana. Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.

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Lánská, Dita. Theory as a 'tool-box': Brno Theatralia Conference 2018. Theatralia. 2018, vol. 21, iss. 2, pp. 220–222.

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Koblišková, Zuzana. Othello and the perception of race within the cultural context of Czech and Slovak theatres. Theatralia. 2018, vol. 21, iss. 2, pp. 127–140.

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Kunderová, Radka, Warstat, Matthias. We must take these risks : interview with Matthias Warstat. Theatralia. 2018, vol. 21, iss. 2, pp. 182–186.