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Weiss, Michaela. Singing Hamlet : Bob Dylan's take on the classic. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 143–150.

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Zahálka, Michal, Čermák, Jakub. An interview with Jakub Čermák on Hamlet, Depressive Children and the difference between official and independent Czech scenes. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 191–197.

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Mišterová, Ivona. "And in this harsh world draw thy breath in pain, to tell my story" : the reception of Hamlet in Pilsen theatres. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 31–47.

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DePrado, Jarrod. Hamlet/Hamnet : haunted by "the poison of deep grief". Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 61–75.

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Mikyšková, Anna. Editorial. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 7–10.

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Kyselová, Eva. Book Review: Hamlet - the next Danish idol. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 199–203.

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Vișan, Nadina, Protopopescu, Daria. 200 years of Romanian Hamlet retlanslation : ghosts of the source text?. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 123–140.

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Krajník, Filip, Drábek, Pavel. An interview with Pavel Drábek on translating Shakespeare in theory and practice. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 173–183.

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Krajník, Filip. Her Majesty's Shakespeare : Shakespearean echoes in songs by Queen. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 151–159.

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Stafford-Mills, Yvonne Nicolle. East meets West at Tiananmen Square : Does Lin Zhaohua's post-Tiananmen Hamlet catch the conscience of Beijing?. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 77–94.

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Mikyšková, Anna, Seidler, Kareen. An interview with Kareen Seidler on early modern German Hamlet, its importance for Hamlet studies, and its new translation into English. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 163–171.

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Livingstone, David. "More things in heaven and earth" : new directions in Hamlet adaptations. Theory and Practice in English Studies. 2022, vol. 11, iss. 1, pp. 49–59.

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Bruś, Teresa. Agency in photographic self-portraits: Charles Lutwidge Dodgson and the exposure of the camera. Theory and Practice in English Studies. 2014, vol. 7, iss. 1, pp. 17–34.

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Gregorová, Markéta. "Ah don't hate the English, ah hate the Scots": 35 Scotland contra England in Gray's 1982 Janine and Welsh's Trainspotting. Theory and Practice in English Studies. 2014, vol. 7, iss. 1, pp. 35–42.

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Čechová, Natália. "What's past is prologue": the importance of history in Zadie Smith's White Teeth. Theory and Practice in English Studies. 2014, vol. 7, iss. 1, pp. 1–16.

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Hevešiová, Simona. The crisis of representation: Joseph Conrad and Ngugi wa Thiong'o in dialogue. Theory and Practice in English Studies. 2014, vol. 7, iss. 1, pp. 43–61.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Turzíková, Tereza. Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.