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Displaying 1441 - 1470 of 1612

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Barros, Natália Dário Mendes , Rodrigues, Cristiano Cezarino. Architecture, performance, and scenography : exploring the body experience in the house – insights from Ensaios do corpo. Theatralia. 2024, vol. 27, iss. 1, pp. 57–78.

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Almási, Zsolt. The theatrical fate of Shakespeare's Great Tragedies in Hungary : metadata and their value. Theatralia. 2024, vol. 27, iss. 1, pp. 145–166.

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Stehlíková, Tereza, Vaghi, Katja. Experiencing the infra-ordinary : the power of imaginative spaces. Theatralia. 2024, vol. 27, iss. 1, pp. 112–144.

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Garett, Ian. Ethical scenography in the North American Cluster programme at the Prague Quadrennial. Theatralia. 2024, vol. 27, iss. 1, pp. 215–235.

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Stourna, Athena. Transformation, repair, and change! : scenographic strategies in teaching socially-engaged performance. Theatralia. 2024, vol. 27, iss. 1, pp. 294–301.

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Álvarez, Jhonn. Costume design for public space : a view from Complejo Conejo, Chilean performance collective. Theatralia. 2024, vol. 27, iss. 1, pp. 303–309.

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Filmer, Andrew. Acts of Assembly : the Performance Space Exhibition at PQ 2023. Theatralia. 2024, vol. 27, iss. 1, pp. 271–278.

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Raiterová, Eliška. And so the world bleeped, blooped, buzzed, and glitched. Now hear this. Theatralia. 2024, vol. 27, iss. 1, pp. 267–270.

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Zieglerová, Klára. Fragments exhibition at PQ 2023. Theatralia. 2024, vol. 27, iss. 1, pp. 279–286.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Šalounová, Kateřina. Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.

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Daniel, Clara. Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.

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Stehlíková, Karolína, Lollike, Christian. I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.

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Poláčková, Eliška. Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.

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Kačer, Tomáš, Drozd, David. (Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.

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Ambros, Veronika. Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.

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Drábek, Pavel. A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.

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Musilová, Martina. Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.

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Pożar, Przemysław. The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.

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Havlíčková Kysová, Šárka. Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.

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Osolsobě, Petr. The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.

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Fořt, Bohumil. On poetic types or on more?. Theatralia. 2020, vol. 23, iss. 1, pp. 54–61.

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Kačer, Tomáš, Shurma, Svitlana. Editorial. Theatralia. 2020, vol. 23, iss. 1, pp. 7–11.

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Turzíková, Tereza. On performance/performativity today and tomorrow. Theatralia. 2020, vol. 23, iss. 1, pp. 175–177.