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Displaying 31 - 60 of 63

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Stehlíková, Karolína. Ingmar Bergman's afterlife. Theatralia. 2019, vol. 22, iss. 1, pp. 9–12.

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Solčániová, Ivona. Ingmar Bergman's 100th anniversary celebration in the Czech Republic. Theatralia. 2019, vol. 22, iss. 1, pp. 132–136.

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Posters of Bergman's movies. Theatralia. 2019, vol. 22, iss. 1, pp. 141–149.

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Stehlíková, Karolína, Holmberg, Jan. Bergman as a master of expression : interview with Jan Holmberg. Theatralia. 2019, vol. 22, iss. 1, pp. 101–104.

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Stehlíková, Karolína. The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.

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Drozd, David. Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.

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Revermann, Martin. Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.

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Jovanovic, Nenad. The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.

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Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

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Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.

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Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

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Pérez-Simón, Andrés. Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.

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Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

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Merenus, Aleš. Editorial. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 7.

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Merenus, Aleš. Ediční poznámka. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 67–68.

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Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.

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Merenus, Aleš. Seznam zastřešujících názvů českých profesionálních divadelních scén. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 71–76.

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Merenus, Aleš. Jmenný rejstřík. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 77–84.

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Merenus, Aleš. Slovník moderního českého dramatu. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 9–12.

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Merenus, Aleš. Seznam použitých zkratek. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 69–70.

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Havlíčková Kysová, Šárka. Performativita – výlučná schopnost člověka. Theatralia. 2019, vol. 22, iss. 2, pp. 243–245.

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Havlíčková, Margita, Blecha, Jaroslav. Rozhovor s Jaroslavem Blechou. Theatralia. 2019, vol. 22, iss. 2, pp. 221–229.