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Schwarz, Martin. [The Lives and Afterlives of Medieval Iconography]. Convivium. 2021, vol. 8, iss. 2, pp. 189–192.

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Palladino, Adrien. Dissipating Strzygowski's shadow : Weitzmann on Armenian book illumination. Convivium. 2021, vol. 8, iss. 2, pp. 175–182.

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Celhoffer, Martin. Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.

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Kajanová, Yvetta. World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.

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Urniežius, Rytis. Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.

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Pavlica, Lukáš. Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.

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Stirton, Paul. Faces of modernism after Trianon : Károly Kós, Lajos Kozma and Neo-Baroque design in interwar Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 11–49.

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Secklehner, Julia. Women and the Wiener Werkstätte. Art East Central. 2021, vol. 1, iss. 1, pp. 141–145.

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Spáčilová, Jana. Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.

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Slouka, Petr. Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.

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Ryszka-Komarnicka, Anna. Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.

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Selfridge-Field, Eleanor. The Teatro Sant'Angelo : cradle of fledgling opera troupes. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 157–170.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Materna, Pavel. Congratulations. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 125.

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Filipová, Marta. A world of its own? : art history in Prague. Art East Central. 2021, vol. 1, iss. 1, pp. 135–140.

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Notes on contributors. Art East Central. 2021, vol. 1, iss. 1, pp. 153–154.

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Howard, Jeremy. Karel Čapek's graphic Britain : a study of the visual intermodernism of Čapek's Letters from England. Art East Central. 2021, vol. 1, iss. 1, pp. 51–76.

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Boros, Lili. Lajos Vajda and the Russian idea of universalism. Art East Central. 2021, vol. 1, iss. 1, pp. 105–124.

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Rampley, Matthew. Editorial : A new journal and the meanings of 'East Central' Europe. Art East Central. 2021, vol. 1, iss. 1, pp. 5–8.

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Drobe, Christian. Abstraction in Hungary. Art East Central. 2021, vol. 1, iss. 1, pp. 147–151.

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Rampley, Matthew. Understanding Greek art history. Art East Central. 2021, vol. 1, iss. 1, pp. 127–133.

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Hnídková, Vendula. Lost in translation? : the idea of the garden city and its migration to the Czech lands, 1900–1938. Art East Central. 2021, vol. 1, iss. 1, pp. 77–104.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.