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Kaščák, Matwe. Galerie TIM uvádí: The Influence: digitálny odtlačok procesu mojho asociačného myslenia. TIM ezin. 2013, vol. 3, iss. 1-2, pp. 221–222.

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Drobíková, Barbora, Odehnalová, Marie, Juranová, Ema, Králová, Kristýna, Svatoš, Ladislav. FRBR and the publication statement: problem of identification of relationships and attributes of the entity Manifestation. ProInflow. 2016, vol. 8, iss. 1, pp. 4–12.

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Novotný, Daniel D.. SNAP/SPAN in Basic Formal Ontology: an Aristotelian suggestion. ProInflow. 2013, vol. 5, iss. 1, pp. 55–65.

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Hrabal, Jan, Pruša, Tomáš. Evaluation of medical information quality. ProInflow. 2015, vol. 7, iss. 1, pp. 41–54.

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Hudecová, Danuta, Kalina, Petr. Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 27–40.

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Slouka, Petr. Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.

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Kozel, David. Repetition as a principle of mythological thinking and music of the twentieth century. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 157–167.

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Mohammad, Iyad Abdelhafeez. Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 95–108.

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Macek, Petr. Music lexicographer Jiří Fukač and the Brno School of Music Lexicography. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 43–48.

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Beckerman, Michael. Klein the Janáčkian. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 25–33.

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Tyrrell, John. Janáček, religion and belief. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 209–215.

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Špaček, Jan. Private feelings and public statements in the music of Dmitry Shostakovich. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 203–208.

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Appendices [– Photo gallery]. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 233–254.

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Kopecký, Jiří. Wagnerism in the Czech lands around 1900. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 83–90.

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Kokole, Metoda. Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.

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Černá, Zuzana. Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.

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Urniežius, Rytis. The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.

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Haas, Petr. The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.

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Szot, Barbara. Introducing Flann O'Brien : an analysis of the paratexts of translations to Czech and Polish. Brno studies in English. 2021, vol. 47, iss. 2, pp. 153–166.

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Tihelková, Alice. From Boundary Estate to Grenfell Tower : the changing perceptions of the role of Britain's council housing. Brno studies in English. 2021, vol. 47, iss. 2, pp. 167–181.

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Demichelis, Serena. Billy Budd, foretopman : re-reading desire. Brno studies in English. 2021, vol. 47, iss. 2, pp. 45–56.

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Labudová, Katarína. Wise Children and The Blind Assassin: fictional (auto)biographies. Brno studies in English. 2016, vol. 42, iss. 2, pp. 21–34.

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Franková, Milada. [Chalupský, Petr. A horror and a beauty: the world of Peter Ackroyd's London novels]. Brno studies in English. 2016, vol. 42, iss. 2, pp. 109–112.

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Branná, Adéla. [Jelínková, Ema (ed.). Scottish women writers of hybrid identity]. Brno studies in English. 2016, vol. 42, iss. 2, pp. 105–108.

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Vančurová, Karolína, Vančurová, Karolina. [Levine, Caroline. Forms: whole, rhythm, hierarchy, network]. Brno studies in English. 2016, vol. 42, iss. 2, pp. 121–124.