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Kürtösi, Katalin, Gadpaille, Michelle, Blake, Jason, Kyloušek, Petr, Staines, David, Rau, Albert. Don Sparling at 80. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 11–17.

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Gadpaille, Michelle. Pandemic, prophecy, and politics in Mary Shelley and Emily St John Mandel. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 19–38.

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Szamosi, Gertrud. Exploring the transnational in Shauna Singh Baldwin's We Are Not in Pakistan. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 51–61.

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Kováč, Stanislav. Perceptions and misperceptions of Canadian realia among Slovak students of English. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 63–76.

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Deirani, Rasha. Hyphenated identities : integration and belonging in Korean-Canadian narratives. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 77–87.

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Greilinger, Szonja. Translating Carleigh Baker's "Last Woman". The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 101–112.

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Devine, Michael. A post-colonial Canadian in Cairo and Kraljevo : theatre, interculturality and politics in BoxWhatBox 2023. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 113–122.

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Kodó, Krisztina. [Taylor, Drew Hayden (ed.). Me tomorrow: indigenous views on the future]. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 123–125.

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Blake, Jason. [Moore, Lisa (ed.). Best Canadian stories 2024]. The Central European journal of Canadian studies. 2023, vol. 18, iss. [1], pp. 127–131.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Žárská, Lenka. Translation of language varieties in the Flemish dubbing of Harry Potter and the Prizoner of Azkaban. Theory and Practice in English Studies. 2019, vol. 8, iss. 1, pp. 23–34.

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Čapek, Jan, Plevíková, Ivana. The foresight in hindsight : the new pathways in North American Studies conference report. Theory and Practice in English Studies. 2019, vol. 8, iss. 1, pp. 113–122.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Šalounová, Kateřina. Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.

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Daniel, Clara. Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.

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Stehlíková, Karolína, Lollike, Christian. I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.