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Thaler, Marleen. How modern is technology? : the link between prehistoric UFOs and modern traditionalism. Religio. 2022, vol. 30, iss. 1, pp. 7–24.

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Rajtíková, Katarína Dženisa. [Holba, Jiří. Kauzalita v buddhistickém myšlení]. Religio. 2022, vol. 30, iss. 1, pp. 81–83.

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French, Aaron. Parallel metaphors in theosophy and transhumanism. Religio. 2022, vol. 30, iss. 1, pp. 25–43.

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Marrone, Tancredi, Kapcár, Andrej. Introduction : Deus ex Machina : Transcending Esoteric Traditions through Modern Technology. Religio. 2022, vol. 30, iss. 1, pp. 3–6.

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Havelka, Ondřej. [Falen, Douglas J. African science: witchcraft, vodun, and healing in Southern Benin]. Religio. 2022, vol. 30, iss. 1, pp. 86–88.

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Nenadalová, Jana, Menšíková, Tereza. "Metal Studies in Central/Eastern Europe : 1st (online) workshop" on extreme music and its academic studies. Religio. 2022, vol. 30, iss. 1, pp. 77–80.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Jochmanová, Andrea. Lola Skrbková (1902–1978). Theatralia. 2022, vol. 25, iss. 1, pp. 189–203.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Šalounová, Kateřina. Konstanty, proměny a inovace tanečního vzdělávání v České republice. Theatralia. 2022, vol. 25, iss. 1, pp. 177–183.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Válek, František, Mokrý, Matouš. Úvodník. Sacra. 2022, vol. 20, iss. 1, pp. 5–6.

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Loulová, Petra. Lamaštu, the Stranger. Sacra. 2022, vol. 20, iss. 1, pp. 7–25.

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Třešňák, Jakub. Plazi a jejich místo ve světě Ilyrů. Sacra. 2022, vol. 20, iss. 1, pp. 26–35.

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Válek, František, Mokrý, Matouš, Hernandez, Evelyne. Rozhovor s Mgr. Evelyne Hernandez. Sacra. 2022, vol. 20, iss. 1, pp. 36–44.

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Koppová, Kateřina, Dvořáčková, Terezie. Marking 10 Years of LEVYNA: Shifting Topics and Tools of CESR. Sacra. 2022, vol. 20, iss. 1, pp. 45–48.

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Válek, František, Mokrý, Matouš. Výběr z nově vydaných titulů z oblasti studia náboženství starověkého východního Středomoří. Sacra. 2022, vol. 20, iss. 1, pp. 53–57.