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Žáčková Rossi, Michaela. "...questo Bassista è buona persona..." : a short overview of sources for the Rudolfine Imperial court environment's studies. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 155–167.

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Comparin, Chiara. Mapping the presence of Paduan repertoire in European anthologies in the first half of the seventeenth century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 25–40.

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Pavlica, Lukáš. Musical inventories of the St. Peter and Paul (Brno) church in the 18th and early 19th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 281–330.

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Kratochvílová, Jana. Inventory from 1761 of the deanery Church of Assumption of the Virgin Mary in Most. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 161–177.

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Schreurs, Eugeen. Musica Antiqua-Musica Nova? : three unpublished inventories from Tongeren and Hasselt, in the context of religious music in the Southern Netherlands and the Prince-bishopric of Liège (c. 1650–1790). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 129–160.

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Ratolístková, Michaela, Spáčilová, Jana. The music collection of the Brno St. James regenschori Matthaeus Rusmann and its inventory from 1763. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 201–219.

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Hulková, Marta. Italian music in the 17th century in the regions of Spiš and Šariš in the Evangelical Churches of the Augsburg Confession. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 41–60.

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Zouhar, Vít. Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané). Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 191–199.

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Celhoffer, Martin. Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.

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Kajanová, Yvetta. World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.

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Urniežius, Rytis. Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.

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Pavlica, Lukáš. Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.

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Jaunslaviete, Baiba. Reception of Czech and Latvian music by German music critics in Riga in the late 19th and early 20th centuries : some comparative aspects. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 149–162.

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Fulka, Vladimír. Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.

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Ščepán, Michal. New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.

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Horáková, Jana. Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.

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Richards, John. Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.

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Cenkerová, Zuzana. Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.

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Landy, Leigh. Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.

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Rabinovitch, Gilad. C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.

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Armand, Louis. Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.

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Watt, Paul. Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.

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Flašar, Martin. Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.

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Zagorski, Marcus. The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.

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Rataj, Michal. Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.

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Štěpánová, Martina, Kozel, David. Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 103–116.

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Petőczová, Janka. Musical life in urban communities of North-Eastern Slovakia in the period of reformation. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 39–55.

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Dostálová, Magdalena. Tracking the disseminated sources for compositional work of music theorist-abbot-composer Johannes Nucius. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 75–85.

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Michálková Slimáčková, Jana. Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 5–14.

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Macek, Petr, Poledňák, Ivan. Stanislav Tesař at 70; Selected bibliography of the work of Stanislav Tesař. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 5–10.