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Displaying 421 - 450 of 464

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Beck, Kimberly. Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Bohadlo, Stanislav. Questenberg a Sporck – oddělené a nezávislé barokní hudební subkultury na Moravě a v Čechách?. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 15–34.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Štědroň, Miloš. Dialektik des Inhalts und Form : ein Lehrstück. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 149–151.

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Csáky, Moritz. Zentraleuropa – Kultur – Musik. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 61–70.

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Materna, Pavel. Congratulations. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 125.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Jung, Hermann. Genius loci: Bild – Stimmung – Erinnerung : die Klavierkompositionen Leoš Janáčeks im europäischen Kontext. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 71–78.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.

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Efthimiou, Charris. About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.

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Procházková, Adéla. Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.

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Svoboda, František. Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.

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Beckerman, Michael. Garlic Soup and Zimmermann's Festschrift. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 37–40.

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Antonicek, Theophil. Musiker aus den Böhmischen Ländern in der Förderung durch das K.K. Ministerium für Cultus und Unterricht. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 11–27.

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Křupková, Lenka. Die Dämmerung des Olmützer deutschen Theaters. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 149–162.

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Biba, Otto. Liebe und Tugend : Musik als eine moralische Institution. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 5–18.

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Cseres, Jozef. Marcel Duchamp's and John Cage's chess intermedia. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 19–28.

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Libin, Kathryn L.. Love and virtue in the Lobkowitz house theatre : Ferdinando Paër's L'amor conjugale. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 73–94.

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Nimylovych, Oleksandra, Filonenko, Ludomyr. Prague pages of the creative work of the Ukrainian composer Vasyl Barvinskyi. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 95–110.

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Sehnal, Jiří. Amor divinus – amor maternus : Salve Regina-Vertonungen im 17. Jahrhundert. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 111–123.

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Szczygieł, Justyna. Franz Kautny (1788-1836): the owner of musical manuscripts from the Jasna Góra collection. Musicologica Brunensia. 2023, vol. 58, iss. 1, pp. 125–150.

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Svoboda, František. When the music changes, so does the dance : do we still need copyright collectives?. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 93–113.

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Ševčíková, Veronika. Romani music in Czech film after 1989, specifically between 1993 and 2017. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 129–142.

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Tichý, Vlastimil. The oldest scores of sacred music in the collection of Carl Winiker's Musikalien-Leih-Anstalt in Brno. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 143–192.

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Tukova, Iryna. Art music and war : Ukrainian case 2022. Musicologica Brunensia. 2023, vol. 58, iss. 2, pp. 193–204.