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Displaying 61 - 90 of 467
Article
Kopecký, Jiří.
Wagnerism in the Czech lands around 1900. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 83–90.
Article
Müller, Ulrich.
Erinnerungen an wegweisende Janáček-Produktionen in Deutschland: "Das schlaue Füchslein" (Berlin 1956), "Die Sache Makropulos" (Stuttgart 1970). Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 113–119.
Article
Mosusova, Nadežda.
Oskar Nedbal, die Südslawen und die russischen Jugoslawen : 135 Jahre von der Geburt des Komponisten. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 107–111.
Article
Niubo, Marc.
Classy scene for connoisseurs or snobby meeting point? : considerations upon the repertoire and functions of the Thun Theatre in Prague during the years 1781-1784. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 297–303.
Article
Perutková, Jana.
Oratorios performed at the holy sepulchre in the Bohemian Lands and Austria in the 18th century (Part II) : on the issue of transferring sepolcri and the possibilities of their semi-staged or staged performance. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 339–353.
Article
Over, Berthold.
Albinoni für Laute : Transkriptionen italienischer Musik für die Münchner Prinzessinnen Josepha Maria und Maria Josepha von Bayern. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 305–316.
Article
Deisinger, Marko.
Musikbezogene Quellen aus der Korrespondenz zwischen Rom und dem Wiener Kaiserhof : neues zu Antimo Liberati, Alessandro Stradella und anderen italienischen Musikern und Musikerinnen des Barock. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 19–34.
Article
Kokole, Metoda.
Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.
Article
Voss, Steffen.
Das Johann Adolf Hasse zugeschriebene Passions-Oratorium La morte di Cristo und seine musikhistorische Einordnung. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 261–281.
Article
Černá, Zuzana.
Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.
Article
Urniežius, Rytis.
The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.
Article
Haas, Petr.
The language of the assistant and the language of the creator : selected aspects of computer assisted composition. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 121–139.
Article
Marisi, Rossella.
Muzio Clementis didaktische Werke: die Klavierschule Op. 42 und der Gradus ad Parnassum Op. 44. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 95–113.
Article
Nedbal, Martin.
Heinrich Wilhelm Haugwitz and the reception of Mozart's operas in early nineteenth-century Moravia. Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 43–57.
Article
Kusák, Jiří.
Music and Organ School of the Association of Education in Ostrava-Mariánské Hory / Masaryk Institute of Music and Singing in 1907–1939. Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 5–23.
Article
Pytlík, Petr.
Die intermediale Differenz-Form-des-Dazwischen im (spät)romantischen Lied am Beispiel von Traum durch die Dämmerung – Vítězslav Nováks "musikalische Polemik". Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 105–122.
Article
Veselá, Irena.
Das Libretto zur Oper Porsena von Agostino Piovene (Venedig 1712) als Vorläufer der Festa teatrale Costanza e Fortezza von Pietro Pariati (Prag 1723). Musicologica Brunensia. 2021, vol. 56, iss. 1, pp. 59–79.
Article
Chew, Geoffrey.
Little Bo-Peep has lost her sheep, and doesn't know where to find them, or, In search yet again of Czechness and Czech music. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 15–21.
Article
Kramářová, Helena.
Die Dommusik zu St. Stephan im 18. Jahrhundert – Institutionsgeschichte. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 109–143.
Article
Zapletal, Miloš.
Civilist tendencies in the inter-war Czech music : at the beginning of a research. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 237–251.
Article
Barbo, Matjaž.
Slavko Osterc und Karl Reiner im Briefwechsel. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 23–35.
Article
Kramářová, Helena.
Die Dommusik zu St. Stephan im 18. Jahrhundert in sozialgeschichtlicher Perspektive. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 145–166.
Article
Vejvodová, Veronika.
An unsuccessful rehabilitation : performances of Dvořák's Armida in 1918–38. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 63–77.
Article
Baťa, Jan.
Remarks on the Festivities of the Order of the Golden Fleece in Prague (1585). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 25–35.
Article
Maňas, Vladimír.
The choir lofts in the church of St. James in Brno : (between the late 15th and the 19th centuries). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 103–111.
Article
Leszczyńska, Agnieszka.
Liturgical function and Gregorian chant in the music of Paulus Bucenus. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 91–102.
Article
Studeničová, Hana.
Antoine und Robert de Fevin: Ihre Messen in Brünner Manuskript BAM1. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 133–143.
Article
Bilwachs, Jan.
Die Konkordanzen der Carl Luythons Motetten Bellum insigne und Festa dies hodie. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 37–45.
Article
Hulková, Marta.
Die Messen im Tabulaturbuch von Johann Plotz und ihre Verwendung in der Liturgie des evangelischen Gottesdienstes. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 63–77.
Article
Desmet, Marc.
"Ut omni tempore inservire queant…" : a reflection on the structure of Jacobus Handl's Opus musicum and its association with a liturgical context. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 5–24.