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Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.

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Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

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Pérez-Simón, Andrés. Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.

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Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

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Stehlíková, Eva. How to present ancient theatre on television. Theatralia. 2018, vol. 21, iss. 2, pp. 214–216.

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Turzíková, Tereza. The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.

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Fergusson, Cat. Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.

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Zálešáková, Tereza. What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.

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Inštitorisová, Dagmar. The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.

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Tomaszewska, Ewa. A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.

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Tagareva, Albena. Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.

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Krajník, Filip. Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.

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Matthews, Dan. A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.

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Wild, Jana. From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.

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Billing, Christian M., Havlíčková Kysová, Šárka. Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.

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Kačer, Tomáš. Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium. Theatralia. 2018, vol. 21, iss. 2, pp. 211–213.

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Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana. Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.

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Koblišková, Zuzana. Othello and the perception of race within the cultural context of Czech and Slovak theatres. Theatralia. 2018, vol. 21, iss. 2, pp. 127–140.

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Kunderová, Radka, Warstat, Matthias. We must take these risks : interview with Matthias Warstat. Theatralia. 2018, vol. 21, iss. 2, pp. 182–186.

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Spurná, Helena. The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969. Theatralia. 2018, vol. 21, iss. 2, pp. 161–172.

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Koblišková, Zuzana. Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad. Theatralia. 2018, vol. 21, iss. 2, pp. 79–94.

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Koubská, Vlasta, Dušek, Jan. Interview with Jan Dušek (13. 2. 2018). Theatralia. 2018, vol. 21, iss. 2, pp. 173–181.

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Koubská, Vlasta. Scenographer Antonín Heythum and his work in the US: the case of King Lear. Theatralia. 2018, vol. 21, iss. 2, pp. 38–63.

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Drábek, Pavel. John Russell Brown (ed.) The Routledge companion to actors' Shakespeare. Theatralia. 2012, vol. 15, iss. 2, pp. 196–199.

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Leštáchová, Barbora. Ivan R. V. Rumánek. Japonská dráma nó: žáner vo vývoji (Japanese Noh Drama: genre in development). Theatralia. 2012, vol. 15, iss. 2, pp. 209–211.

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Veltrusky, Jarmila F.. The background story of the book. Theatralia. 2012, vol. 15, iss. 2, pp. 232–237.

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Billing, Christian M.. Marie Zdeňková, and Josef Vomáčka. Miroslav Melena: Scénograf a architekt (Scenographer and Architect) : published in Czech with a (mostly) parallel English translation. Theatralia. 2012, vol. 15, iss. 2, pp. 199–205.