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Displaying 151 - 180 of 222

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Posters of Bergman's movies. Theatralia. 2019, vol. 22, iss. 1, pp. 141–149.

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Stehlíková, Karolína, Holmberg, Jan. Bergman as a master of expression : interview with Jan Holmberg. Theatralia. 2019, vol. 22, iss. 1, pp. 101–104.

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Stehlíková, Karolína. The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.

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Drozd, David. Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.

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Dlask, Jan. Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.

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Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

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Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

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Hägi-Mead, Sara. Tabus und Integration : Willkommen in Deutschland. Brünner Beiträge zur Germanistik und Nordistik. 2019, vol. 33, iss. Supplementum, pp. 21–42.

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Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.

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Juříčková, Miluše. [Březinová, Helena. Slavíci, mořské víly a bolavé zuby: pohádky H. Ch. Andersena: mezi romantismem a modernitou]. Brünner Beiträge zur Germanistik und Nordistik. 2019, vol. 33, iss. 1, pp. 189–190.

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Revermann, Martin. Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.

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Jovanovic, Nenad. The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.

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Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

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Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.

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Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

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Pérez-Simón, Andrés. Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.

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Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

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List of contributors. Neograeca Bohemica. 2019, vol. 19, iss. [1], pp. 104–[105].

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Баженова, Татьяна Евгеньевна. Специфика кодирования представлений о человеке в русских говорах Среднего Поволжья. Новая русистика. 2019, vol. 12, iss. 1, pp. 19–29.

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Vazanova, Marina. Introducing componential analysis into a Russian language course. Новая русистика. 2019, vol. 12, iss. 1, pp. 5–17.

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Sukač, Roman. Tracing the prodigal son's voyage. Linguistica Brunensia. 2019, vol. 67, iss. 2, pp. 21–29.

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Frantíková, Dita. Hittite i-stems revisited – from Hrozný to the present day : preliminary study. Linguistica Brunensia. 2019, vol. 67, iss. 2, pp. 31–37.

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Bičovský, Jan. Proto-Indo-European laryngeals and voicing assimilation. Linguistica Brunensia. 2019, vol. 67, iss. 2, pp. 5–20.

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Uchvanava, Ìryna Frolaŭna. A unique multiperspective and multidisciplinary insight into the issue of global communication. Opera Slavica. 2019, vol. 29, iss. 2, pp. 82–86.

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Drozdek, Adam. Philosophical remarks of Nikolai Nikolev. Opera Slavica. 2019, vol. 29, iss. 1, pp. 5–13.