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Cikán, Ondřej, Kulhánková, Markéta. K novému českému překladu byzantské epické básně Digenis Akritis. Neograeca Bohemica. 2017, vol. 17, iss. [1], pp. 63–85.

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Meško, Marek. [Agapitos, Panagiotis. Ebenová loutna]. Neograeca Bohemica. 2017, vol. 17, iss. [1], pp. 100–102.

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List of contributors. Neograeca Bohemica. 2017, vol. 17, iss. [1], pp. 110–111.

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Koreček, Yiannis. [Švihlíková, Ilona; Tsivos, Konstantinos. Řecká tragédie]. Neograeca Bohemica. 2017, vol. 17, iss. [1], pp. 96–99.

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Knapková, Kristýna. Počátky řeckého tisku. Neograeca Bohemica. 2017, vol. 17, iss. [1], pp. 49–61.

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Tazelaar, Kees. Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.

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Cseres, Jozef. Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.

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Fulka, Vladimír. Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.

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Ščepán, Michal. New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.

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Horáková, Jana. Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.

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Richards, John. Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.

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Cenkerová, Zuzana. Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.

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Landy, Leigh. Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.

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Armand, Louis. Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.

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Watt, Paul. Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.

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Flašar, Martin. Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.

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Zagorski, Marcus. The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.

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Rataj, Michal. Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.

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Černá, Zuzana. Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.

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Urniežius, Rytis. The possibilities of transcribing orchestral works subject to essentiality of their original orchestration. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 85–93.

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Hruška, Viktor. Profil nátrubkového nástroje z pohledu organologické systematiky založené na akustických vlastnostech. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 141–156.

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Spurný, Lubomír, Fančal, Petr. Hudba a interpretace : k otázkám analýzy hudebního výkonu. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 109–120.