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Vodička, Libor. Člověk ve světle slova. Divadlo U stolu 1989–2016. Theatralia. 2017, vol. 20, iss. 2, pp. 126–129.

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Musilová, Martina. Dekompozičné princípy v inscenačnej tvorbe. Theatralia. 2017, vol. 20, iss. 2, pp. 143–144.

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Hančil, Jan. Dvě knihy o pedagogice herectví. Theatralia. 2017, vol. 20, iss. 2, pp. 133–137.

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Krpič, Tomaž. Building a temporal theatre community in the production of ATLAS – LJUBLJANA. Theatralia. 2017, vol. 20, iss. 2, pp. 96–108.

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Kubart, Tomáš. Prázdný list a tisíce stran slov. Theatralia. 2017, vol. 20, iss. 2, pp. 138–142.

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Stehlíková, Eva. Oidipus redivivus : Teatro Olimpico 1585. Theatralia. 2017, vol. 20, iss. 2, pp. 59–68.

Issue

Opera Slavica, 1997, vol. 7, issue 4.

Article

Havlíčková, Margita. Malé ohlédnutí na úvod. Theatralia. 2013, vol. 16, iss. 2, pp. 6–7.

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Summary. Theatralia. 2013, vol. 16, iss. 2, pp. 100–108.

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Soupis odborných prací vzniklých na půdě brněnské katedry divadelní vědy. Theatralia. 2013, vol. 16, iss. 2, pp. 67–99.

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Historie divadelních studií v Brně (1963-2013). Theatralia. 2013, vol. 16, iss. 2, pp. 8–25.

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Divadelní aktivity na brněnské katedře divadelní vědy. Theatralia. 2013, vol. 16, iss. 2, pp. 31–35.

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Poláčková, Eliška, Stehlíková, Eva, Vodička, Libor. Editorial. Theatralia. 2013, vol. 16, iss. 2, pp. 5.

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[Obrazová příloha]. Theatralia. 2013, vol. 16, iss. 2, pp. 109–127.

Issue

Opera Slavica, 1992, vol. 2, issue 1.

Article

Soupis periodických publikací vydaných brněnskou katedrou divadelní vědy. Theatralia. 2013, vol. 16, iss. 2, pp. 36–66.

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Internetové časopisy vydávané studenty brněnské katedry divadelní vědy. Theatralia. 2013, vol. 16, iss. 2, pp. 26–30.

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Daníčková, Eva. Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.

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Zich, Otakar. Puppet theatre. Theatralia. 2015, vol. 18, iss. 2, pp. 505–513.

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Daníčková, Eva. Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.

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Blecha, Jaroslav. The enigmatic puppets of important Czech marionettists, the Flachs. Theatralia. 2015, vol. 18, iss. 2, pp. 35–69.

Issue

Opera Slavica, 2020, vol. 30, issue 3.

Article

Drábek, Pavel. Review of Petr Matásek – the scenographic puppet master. Theatralia. 2015, vol. 18, iss. 2, pp. 463–465.

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Billing, Christian M.. Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art. Theatralia. 2015, vol. 18, iss. 2, pp. 477–480.

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Chryssouli, Georgia. Surreally human: Jan Švankmajer's world of self-destructive puppets. Theatralia. 2015, vol. 18, iss. 2, pp. 303–328.

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Lech, Kasia. Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.

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Malíková, Nina. Czech puppet theatre - tradition, legend, and reality: or, is contemporary Czech puppet theatre and endangered species?. Theatralia. 2015, vol. 18, iss. 2, pp. 347–383.

Issue

Opera Slavica, 1993, vol. 3, issue 1.

Article

Langhans, Martin. Soudní proces jako rituál?. Theatralia. 2018, vol. 21, iss. 1, pp. 33–52.

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Žáková, Anna. Performatívnosť stredovekého rituálu Mandatum u Sv. Jiří na Pražskom hrade. Theatralia. 2018, vol. 21, iss. 1, pp. 71–88.