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Havlíčková Kysová, Šárka. Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.

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Mikyšková, Anna, Škrobánková, Klára. The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.

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Braga Riera, Jorge. Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.

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Krajník, Filip. Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.

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Cetera-Włodarczyk, Anna, Pożar, Przemysław. Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.

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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda. "Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.

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Morini, Massimiliano. Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.

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Hájková, Simona. Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.

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Škrobánková, Klára, Drábek, Pavel. Editorial. Theatralia. 2021, vol. 24, iss. 1, pp. 7–10.

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Poláčková, Eliška. Enacting the Bible in Medieval and Early Modern Drama. Theatralia. 2021, vol. 24, iss. 1, pp. 263–266.

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Škrobánková, Klára. Notes on the new edition of Marcello's Il teatro alla moda. Theatralia. 2021, vol. 24, iss. 1, pp. 271–273.

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Katritzky, M. A.. William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia. 2021, vol. 24, iss. 1, pp. 313–356.

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Anderson, Misty G.. Behn's The Emperor of the Moon in 2020. Theatralia. 2021, vol. 24, iss. 1, pp. 299–302.

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Graziano, Alba. Address pronouns revisited: a case of theatre and translation pragmatics. Theatralia. 2021, vol. 24, iss. 1, pp. 119–135.

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Krpič, Tomaž. Building a temporal theatre community in the production of ATLAS – LJUBLJANA. Theatralia. 2017, vol. 20, iss. 2, pp. 96–108.

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Summary. Theatralia. 2013, vol. 16, iss. 2, pp. 100–108.

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Bulandrová, Amálie, Arntzen, Knut Ove. Visual dramaturgy : interview with Knut Ove Arntzen. Theatralia. 2020, vol. 23, iss. 2, pp. 163–168.

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Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.

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Drábek, Pavel. Shakespeare's treasure trove of Italian tales. Theatralia. 2021, vol. 24, iss. 1, pp. 274–278.

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Turzíková, Tereza. In search for new realities in post-pandemic dystopia. Theatralia. 2021, vol. 24, iss. 1, pp. 309–311.

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Šalounová, Kateřina. When audience in a theatre used to be a natural thing. Theatralia. 2021, vol. 24, iss. 1, pp. 279–283.

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van Hensbergen, Claudine. The "Scaene of Elysium": painters, plaintiffs and paradise in John Dryden's Tyrannick Love (1669). Theatralia. 2021, vol. 24, iss. 1, pp. 11–33.

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Kubart, Tomáš. My body is not a cage. Theatralia. 2016, vol. 19, iss. 2, pp. 166–168.

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Kubart, Tomáš. Theatre of arranging live images. Theatralia. 2016, vol. 19, iss. 2, pp. 169–171.

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Gočálová, Zdenka. Theatre life of Prešov: from the beginnings to the mid-20th century. Theatralia. 2016, vol. 19, iss. 2, pp. 146–151.

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Bernátek, Martin, Sosnowska, Dorota. Speculative realities, practice as theory: interview with Dorota Sosnowska. Theatralia. 2016, vol. 19, iss. 2, pp. 123–129.