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Article
Polochová, Markéta.
William Shakespeare and his collaborators over the centuries. Ed. Pavel Drábek, Klára Kolínská, Matthew Nicholls. Theatralia. 2009, vol. 12, iss. 1-2, pp. 132–134.
Article
Musilová, Martina.
Bertolt Brecht: Kupování mosazi. Theatralia. 2009, vol. 12, iss. 1-2, pp. 136–137.
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Štefanides, Jiří.
Bohumil Hrabal: Hlučná samota, Ostrava 1984. Theatralia. 2009, vol. 12, iss. 1-2, pp. 154–156.
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Šotkovská, Jitka.
To tvoje divné srdce, Evuša moja!. Theatralia. 2009, vol. 12, iss. 1-2, pp. 107–115.
Article
Příhodová, Barbora.
Věra Ptáčková: Divadlo na konci světa. Theatralia. 2009, vol. 12, iss. 1-2, pp. 127–129.
Article
Lazorčáková, Tatjana.
O Evženu Sokolovském, brněnských inscenacích a polaritě divadla 60. let 20. století. Theatralia. 2009, vol. 12, iss. 1-2, pp. 120–126.
Article
Drábek, Pavel.
Český Shakespeare mezi normalizací a koncem milénia. Theatralia. 2009, vol. 12, iss. 1-2, pp. 64–78.
Article
Drábek, Pavel.
Milan Lukeš: Divné divadlo našeho věku. Theatralia. 2009, vol. 12, iss. 1-2, pp. 126–127.
Article
Hájková, Gabriela, Vodička, Libor.
Brno zdraví Prahu! : "Sametová revoluce" v Brně z pohledu teatrologie. Theatralia. 2009, vol. 12, iss. 1-2, pp. 34–58.
Article
Mikulová, Iva.
Představení Oddělení dějin divadla Moravského zemského muzea. Theatralia. 2017, vol. 20, iss. 2, pp. 161–162.
Article
Hanáčková, Andrea.
Akce je vhodná i pro Boha neznalé : sondy do amatérského náboženského divadla na Moravě po roce 1990. Theatralia. 2017, vol. 20, iss. 2, pp. 9–32.
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Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, May 20‒22, 2013 : programme. Theatralia. 2014, vol. 17, iss. 2, pp. 7–10.
Article
Musilová, Martina.
Jindřich Honzl's texts on acting – between convention and spontaneity. Theatralia. 2014, vol. 17, iss. 2, pp. 137–147.
Article
Kačer, Tomáš.
Pavel Drábek's attempts at Shakespeare. Theatralia. 2014, vol. 17, iss. 2, pp. 230–232.
Article
Rokem, Freddie.
Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater". Theatralia. 2014, vol. 17, iss. 2, pp. 60–70.
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Pérez-Simón, Andrés.
Conceptualizing the Hollywood biopic. Theatralia. 2014, vol. 17, iss. 2, pp. 50–59.
Article
Drábek, Pavel.
Functional reformulations: Prague School and intralingual translation. Theatralia. 2014, vol. 17, iss. 2, pp. 81–95.
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Ambros, Veronika.
Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences. Theatralia. 2014, vol. 17, iss. 2, pp. 148–161.
Article
Kubart, Tomáš.
O' – Scenographic Video-Essays. Theatralia. 2014, vol. 17, iss. 2, pp. 250–251.
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Meerzon, Yana.
Between intentionality and affect: on Jan Mukařovský's theory of reception. Theatralia. 2014, vol. 17, iss. 2, pp. 24–40.
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Kostihová, Marcela.
In double trust: Shakespeare in Central Europe. Theatralia. 2014, vol. 17, iss. 2, pp. 238–240.
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Sakellaridou, Elizabeth.
Phenomenological aspects of the Prague School theatre theory. Theatralia. 2014, vol. 17, iss. 2, pp. 162–171.
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Satková, Naďa.
"Theatrology at a crossroads": notes from a conference. Theatralia. 2014, vol. 17, iss. 2, pp. 247–249.
Article
Bernátek, Martin.
The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia. Theatralia. 2014, vol. 17, iss. 2, pp. 175–187.
Article
Drábek, Pavel.
Hastábhinaja: gesta rukou v tradičním divadelním umění Indie. Theatralia. 2014, vol. 17, iss. 2, pp. 225–226.