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Displaying 301 - 330 of 427

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Kotásek, Miroslav. Trauma Freud: Sigmund Freud as a fictional character in D. M. Thomas's The White Hotel. Bohemica litteraria. 2013, vol. 16, iss. 2, pp. 69–81.

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Kratochvil, Alexander. Literary stories: cultural memory. Bohemica litteraria. 2013, vol. 16, iss. 2, pp. 7–19.

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Bušková, Kristýna. The role of literature in reconciling trauma on personal and social level. Bohemica litteraria. 2013, vol. 16, iss. 2, pp. 83–91.

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Kotásek, Miroslav. The future has already passed. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 11–28.

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Khokhel, Dariya. Magic of the out-of-body experiences in contemporary fantasy: Halyna Pahutiak, Susanna Clarke. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 99–114.

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Leonzini, Alexandra. Werewolf histories. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 139–142.

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Chumarova, Natalia. Ivan Efremov's Andromeda Nebula: the turning point of Soviet science-fiction literature. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 29–43.

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Knickerbocker, Dale. Why Zombies matter: the undead as critical posthumanist. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 59–82.

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Dědinová, Tereza. [Editorial]. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 5–8.

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Šust, Martin, Dědinová, Tereza. The reputation of fantastic literature is up to those of us involved in it. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 133–136.

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Marszalski, Mariusz. Humanity's transhuman future and the ethics of the Other in Dan Simmons' Hyperion Cantos. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 44–58.

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Levý, Jiří. Paralipomena. 1971

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.