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Displaying 121 - 150 of 415

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Kotásek, Miroslav. Trauma Freud: Sigmund Freud as a fictional character in D. M. Thomas's The White Hotel. Bohemica litteraria. 2013, vol. 16, iss. 2, pp. 69–81.

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Kratochvil, Alexander. Literary stories: cultural memory. Bohemica litteraria. 2013, vol. 16, iss. 2, pp. 7–19.

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Bušková, Kristýna. The role of literature in reconciling trauma on personal and social level. Bohemica litteraria. 2013, vol. 16, iss. 2, pp. 83–91.

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Kotásek, Miroslav. The future has already passed. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 11–28.

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Khokhel, Dariya. Magic of the out-of-body experiences in contemporary fantasy: Halyna Pahutiak, Susanna Clarke. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 99–114.

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Leonzini, Alexandra. Werewolf histories. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 139–142.

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Chumarova, Natalia. Ivan Efremov's Andromeda Nebula: the turning point of Soviet science-fiction literature. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 29–43.

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Knickerbocker, Dale. Why Zombies matter: the undead as critical posthumanist. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 59–82.

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Dědinová, Tereza. [Editorial]. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 5–8.

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Šust, Martin, Dědinová, Tereza. The reputation of fantastic literature is up to those of us involved in it. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 133–136.

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Marszalski, Mariusz. Humanity's transhuman future and the ethics of the Other in Dan Simmons' Hyperion Cantos. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 44–58.

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Drábek, Pavel. German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.

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Turzíková, Tereza. Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.

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Kunderová, Radka, Balme, Christopher. The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.

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Lazorčáková, Tatjana. The function of irregular space in Moravian and Silesian theatre, 1960-1989: experiment, protest, alternative. Theatralia. 2011, vol. 14, iss. 1, pp. 204–227.

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Marková, Sylva. Costume collections of the Schwarzenberg court theatre at Český Krumlov Castle. Theatralia. 2011, vol. 14, iss. 1, pp. 98–113.

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Brandesky, Joseph E.. Permanent interaction: reflections on the paintings and designs of Jaroslav Malina. Theatralia. 2011, vol. 14, iss. 1, pp. 228–243.

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Vršecká, Kateřina. Towards a way of reading scenic space in dramatic texts of the Czech Middle Ages. Theatralia. 2011, vol. 14, iss. 1, pp. 65–81.

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Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 73–76.

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Koblišková, Zuzana. Othello and the perception of race within the cultural context of Czech and Slovak theatres. Theatralia. 2018, vol. 21, iss. 2, pp. 127–140.

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Kunderová, Radka, Warstat, Matthias. We must take these risks : interview with Matthias Warstat. Theatralia. 2018, vol. 21, iss. 2, pp. 182–186.

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Koblišková, Zuzana. Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad. Theatralia. 2018, vol. 21, iss. 2, pp. 79–94.

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Koubská, Vlasta, Dušek, Jan. Interview with Jan Dušek (13. 2. 2018). Theatralia. 2018, vol. 21, iss. 2, pp. 173–181.