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Displaying 241 - 270 of 341
Article
Fergusson, Cat.
Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.
Article
Zálešáková, Tereza.
What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.
Article
Inštitorisová, Dagmar.
The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.
Article
Tomaszewska, Ewa.
A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.
Article
Tagareva, Albena.
Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.
Article
Krajník, Filip.
Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.
Article
Matthews, Dan.
A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.
Article
Wild, Jana.
From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.
Article
Billing, Christian M., Havlíčková Kysová, Šárka.
Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.
Article
Kačer, Tomáš.
Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium. Theatralia. 2018, vol. 21, iss. 2, pp. 211–213.
Article
Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana.
Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.
Article
Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, May 20‒22, 2013 : programme. Theatralia. 2014, vol. 17, iss. 2, pp. 7–10.
Article
Musilová, Martina.
Jindřich Honzl's texts on acting – between convention and spontaneity. Theatralia. 2014, vol. 17, iss. 2, pp. 137–147.
Article
Kačer, Tomáš.
Pavel Drábek's attempts at Shakespeare. Theatralia. 2014, vol. 17, iss. 2, pp. 230–232.
Article
Rokem, Freddie.
Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater". Theatralia. 2014, vol. 17, iss. 2, pp. 60–70.
Article
Pérez-Simón, Andrés.
Conceptualizing the Hollywood biopic. Theatralia. 2014, vol. 17, iss. 2, pp. 50–59.
Article
Drábek, Pavel.
Functional reformulations: Prague School and intralingual translation. Theatralia. 2014, vol. 17, iss. 2, pp. 81–95.
Article
Ambros, Veronika.
Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences. Theatralia. 2014, vol. 17, iss. 2, pp. 148–161.
Article
Kubart, Tomáš.
O' – Scenographic Video-Essays. Theatralia. 2014, vol. 17, iss. 2, pp. 250–251.
Article
Meerzon, Yana.
Between intentionality and affect: on Jan Mukařovský's theory of reception. Theatralia. 2014, vol. 17, iss. 2, pp. 24–40.
Article
Kostihová, Marcela.
In double trust: Shakespeare in Central Europe. Theatralia. 2014, vol. 17, iss. 2, pp. 238–240.
Article
Sakellaridou, Elizabeth.
Phenomenological aspects of the Prague School theatre theory. Theatralia. 2014, vol. 17, iss. 2, pp. 162–171.
Article
Satková, Naďa.
"Theatrology at a crossroads": notes from a conference. Theatralia. 2014, vol. 17, iss. 2, pp. 247–249.
Article
Bernátek, Martin.
The Prague Linguistic Circle and the Prager Presse : a remark on the science in interwar Czechoslovakia. Theatralia. 2014, vol. 17, iss. 2, pp. 175–187.
Article
Drábek, Pavel.
Hastábhinaja: gesta rukou v tradičním divadelním umění Indie. Theatralia. 2014, vol. 17, iss. 2, pp. 225–226.