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Žůrek, Pavel. The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.

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Spurný, Lubomír. Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.

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Beck, Kimberly. Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.

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Macek, Petr. Jaroslav Střítecký at 70. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 5–7.

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Bohadlo, Stanislav. Questenberg a Sporck – oddělené a nezávislé barokní hudební subkultury na Moravě a v Čechách?. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 15–34.

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Spurný, Lubomír. The Hába school. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 141–148.

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Štědroň, Miloš. Dialektik des Inhalts und Form : ein Lehrstück. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 149–151.

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Csáky, Moritz. Zentraleuropa – Kultur – Musik. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 61–70.

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Materna, Pavel. Congratulations. Musicologica Brunensia. 2011, vol. 46, iss. 1-2, pp. 125.

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Weiss, Jernej. Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 129–138.

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Jung, Hermann. Genius loci: Bild – Stimmung – Erinnerung : die Klavierkompositionen Leoš Janáčeks im europäischen Kontext. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 71–78.

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Tyrrell, John. Why did Act 1 of From the House of the Dead end with the Skuratov theme?. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 105–114.

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Efthimiou, Charris. About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí. Musicologica Brunensia. 2013, vol. 48, iss. 1, pp. 31–43.

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Procházková, Adéla. Henry Lefebvre's rhythmanalysis as a tool for comprehensive listening of the city. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 97–104.

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Svoboda, František. Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.

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Beckerman, Michael. Garlic Soup and Zimmermann's Festschrift. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 37–40.

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Antonicek, Theophil. Musiker aus den Böhmischen Ländern in der Förderung durch das K.K. Ministerium für Cultus und Unterricht. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 11–27.

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Křupková, Lenka. Die Dämmerung des Olmützer deutschen Theaters. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 149–162.

Book

Book
Pečman, Rudolf. Beethovens Opernpläne. 1981

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Šlaisová, Eva, Revermann, Martin. 'The Roaring Twenties' : theatre of the early 2020s. Theatralia. 2023, vol. 26, iss. 1, pp. 7–10.

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Jovanović, Nenad. Playing for and against the microphone : the theatrical soundstage, the cinematic meeting interface. Theatralia. 2023, vol. 26, iss. 1, pp. 11–28.

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Meerzon, Yana. Playing a tyrant – rethinking an autocrat in Asya Voloshina's Antigona: Redukciia. Theatralia. 2023, vol. 26, iss. 1, pp. 29–54.

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Studeničová, Hana. … einem ersamen Rath verehrt : über Widmungen der Musikalien an mährische Städte ca. 1560–1620. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 15–37.

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Velemanová, Věra, Havlíčková Kysová, Šárka. Scenography: a motley stream of colours, forms, and layers : editorial. Theatralia. 2024, vol. 27, iss. 1, pp. 7–11.