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Displaying 91 - 120 of 491
Article
Toporišič, Tomaž.
The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.
Article
Jochmanová, Andrea, Orawczak Kunešová, Mariana.
The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.
Article
Kosiński, Dariusz.
Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.
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Orawczak Kunešová, Mariana.
André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.
Article
Havlíčková Kysová, Šárka.
Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.
Article
Chechyk, Valentyna.
Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.
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Turzíková, Tereza.
Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.
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Kunderová, Radka, Balme, Christopher.
The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.
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Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.
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Švachová, Romana.
Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.
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Březinová, Helena.
Helena Kadečková (14 August 1932 – 30 June 2018). Theatralia. 2019, vol. 22, iss. 1, pp. 137–140.
Article
Stehlíková, Karolína, Černík, Zbyněk.
Between film, short story and novel : interview with Zbyněk Černík. Theatralia. 2019, vol. 22, iss. 1, pp. 97–100.
Article
Sosnowska, Dorota.
Performing memory – workers' strikes in post-war Poland. Theatralia. 2019, vol. 22, iss. 1, pp. 89–96.
Article
Holmberg, Jan.
Film jako zajížďka : Ingmar Bergman jako spisovatel. Theatralia. 2019, vol. 22, iss. 1, pp. 105–113.
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Tóthová, Kristína.
Ingmar Bergman, the multimedial author. Theatralia. 2019, vol. 22, iss. 1, pp. 129–131.
Article
Perregaard, Bettina.
The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.
Article
Stehlíková, Eva.
The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.
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Stehlíková, Karolína.
Ingmar Bergman's afterlife. Theatralia. 2019, vol. 22, iss. 1, pp. 9–12.
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Solčániová, Ivona.
Ingmar Bergman's 100th anniversary celebration in the Czech Republic. Theatralia. 2019, vol. 22, iss. 1, pp. 132–136.
Article
Stehlíková, Karolína, Holmberg, Jan.
Bergman as a master of expression : interview with Jan Holmberg. Theatralia. 2019, vol. 22, iss. 1, pp. 101–104.
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Stehlíková, Karolína.
The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.
Article
Drozd, David.
Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.
Article
Dlask, Jan.
Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.
Article
Couch, Nena.
Czech collections of the Theatre Research Institute at Ohio State University. Theatralia. 2011, vol. 14, iss. 1, pp. 277–291.
Article
Billing, Christian M., Drábek, Pavel.
Introduction: the significance of scenography in a Czech context. Theatralia. 2011, vol. 14, iss. 1, pp. 9–23.
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Příhodová, Barbora.
The specificity of scenography : a Czech contribution to the theory of scenography. Theatralia. 2011, vol. 14, iss. 1, pp. 254–262.
Article
Stehlíková, Eva.
A contribution to the knowledge of nineteenth-century Czech stage art : Bořivoj Srba, V zahradách Thespidových (In Thespis' garden). Theatralia. 2011, vol. 14, iss. 1, pp. 266–267.