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Rodrigues, Alexandra Soares. La gramática en los diccionarios : los términos gramaticales en los diccionarios enciclopédicos del portugués de los siglos XVIII y XIX. Études romanes de Brno. 2022, vol. 43, iss. 1, pp. 199–212.

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García Caba, Marta. Estudio sociolingüístico del uso del español y el inglés en el code-switching escrito de Gibraltar. Études romanes de Brno. 2022, vol. 43, iss. 1, pp. 165–182.

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Hayek, Katia Émilie V.. Une invitation au décentrement dans le roman français du romantisme noir : quelques exemples. Études romanes de Brno. 2022, vol. 43, iss. 1, pp. 63–79.

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Voldřichová Beránková, Eva. De Hegel au postcolonialisme : les paradoxes du centre et de la périphérie dans les préfaces « africaines » de Jean-Paul Sartre. Études romanes de Brno. 2022, vol. 43, iss. 1, pp. 33–45.

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Theatralia, 2022, vol. 25, issue 1.

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Études romanes de Brno, 2022, vol. 43, issue 1.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Jochmanová, Andrea. Lola Skrbková (1902–1978). Theatralia. 2022, vol. 25, iss. 1, pp. 189–203.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Šalounová, Kateřina. Konstanty, proměny a inovace tanečního vzdělávání v České republice. Theatralia. 2022, vol. 25, iss. 1, pp. 177–183.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Theatralia, 2022, vol. 25, issue 2.

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Bernátek, Martin, Pavlišová, Jitka. Bodies in archival situations : editorial. Theatralia. 2022, vol. 25, iss. 2, pp. 7–13.

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Kubart, Tomáš. Günter Brus: a walk through totality. Theatralia. 2022, vol. 25, iss. 2, pp. 15–40.

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Sosnowska, Dorota. Blasted 1999 : Sarah Kane's body against the archive. Theatralia. 2022, vol. 25, iss. 2, pp. 41–61.

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Hanáčková, Andrea. Tendons, meat, fat : the invisible body in the liminal space of podcasting. Theatralia. 2022, vol. 25, iss. 2, pp. 62–80.

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