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[Obsah]. Opuscula historiae artium. 2022, vol. 71, iss. 1-2, pp. 1–2.

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Slavíček, Lubomír, Šeferisová Loudová, Michaela. Editorial. Opuscula historiae artium. 2022, vol. 71, iss. 1-2, pp. 3–6.

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Content. Art East Central. 2022, vol. [2], iss. 2, pp. 3–4.

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Rampley, Matthew. Editorial : Counter-narratives of east central Europe. Art East Central. 2022, vol. [2], iss. 2, pp. 5–8.

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Radway, Robyn, Grusiecki, Tomasz, Born, Robert, Ivanič, Suzanna, Noyes, Ruth Sargent , Pevny, Olenka. Globalizing early modern central and eastern European art : a discussion forum. Art East Central. 2022, vol. [2], iss. 2, pp. 11–47.

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Minea, Cosmin. Beyond national style : the innovative thinking and designs of the architect Ion Mincu (1852–1912). Art East Central. 2022, vol. [2], iss. 2, pp. 49–76.

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Bierbauer, Virgil. Four essays on modern architecture. Art East Central. 2022, vol. [2], iss. 2, pp. 77–111.

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Ankwicz-Kleehoven, Hans, Born, Wolfgang, Zimbler, Liane. Five essays on women's art and perception in interwar Austria. Art East Central. 2022, vol. [2], iss. 2, pp. 113–135.

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Lexová, Petra. A colourful atlas of artistic practice. Art East Central. 2022, vol. [2], iss. 2, pp. 139–145.

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Filipová, Marta. Navigating Czech art history after the Second World War. Art East Central. 2022, vol. [2], iss. 2, pp. 147–152.

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Rampley, Matthew. Estonians, Germans and their heritage. Art East Central. 2022, vol. [2], iss. 2, pp. 153–158.

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Gabowitsch, Mischa. Red Army monuments in Poland from creation to destruction. Art East Central. 2022, vol. [2], iss. 2, pp. 159–167.

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Secklehner, Julia. Beyond the Bauhaus. Art East Central. 2022, vol. [2], iss. 2, pp. 169–174.

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Drobe, Christian. Archiving performances as a dissident practice. Art East Central. 2022, vol. [2], iss. 2, pp. 175–180.

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Veszprémi, Nóra. The Great Book Theft. Art East Central. 2022, vol. [2], iss. 2, pp. 181–185.

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Notes on contributors. Art East Central. 2022, vol. [2], iss. 2, pp. 187–189.

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Foletti, Ivan, Hahn, Cynthia, Racaniello, Kris N., Voyer, Cécile, Palladino, Adrien. Contextualizing Conques, an introduction. Convivium. 2023, vol. 10, iss. Supplementum 3, pp. 11–18.

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Under the protection of Clio : historical disciplines at the Faculty of Arts of Masaryk University. In: Pod ochranou Kleió : historické obory na Filozofické fakultě Masarykovy univerzity. 2019, pp. 157–160.

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Frantová, Zuzana. Time, place and style. In: Frantová, Zuzana. Hereze a loajalita : slonovinový Diptych z pěti částí z pokladu katedrály v Miláně. 2014, pp. 108–124.

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Frantová, Zuzana. Introduction. In: Frantová, Zuzana. Hereze a loajalita : slonovinový Diptych z pěti částí z pokladu katedrály v Miláně. 2014, pp. 97–99.

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Frantová, Zuzana. Seeking the place of the object in art history. In: Frantová, Zuzana. Hereze a loajalita : slonovinový Diptych z pěti částí z pokladu katedrály v Miláně. 2014, pp. 100–107.

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Ciglenečki, Marjeta. A set of verdure tapestries in Ptuj cast. In: Orbis artium : k jubileu Lubomíra Slavíčka. 2009, pp. 721–735.

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Murovec, Barbara. Netherlandish painters in Ljublana : a work by Peter Auvercx in the Ursuline church. In: Orbis artium : k jubileu Lubomíra Slavíčka. 2009, pp. 175–181.

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Frantová, Zuzana. Obsah - Contents. In: Frantová, Zuzana. Hereze a loajalita : slonovinový Diptych z pěti částí z pokladu katedrály v Miláně. 2014, pp. 5–8.

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Frantová, Zuzana. From seeking a function to setting artistic role. In: Frantová, Zuzana. Hereze a loajalita : slonovinový Diptych z pěti částí z pokladu katedrály v Miláně. 2014, pp. 125–139.