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Křístek, Michal. Acknowledgements. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. 5.

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Křístek, Michal. Introduction. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. 9–10.

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Back matter. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. .

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Křístek, Michal. Bibliography. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. 104–108.

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Křístek, Michal. Czech theories of style. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. 11–45.

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Křístek, Michal. Comparison of Czech and British theories of style. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. 66–94.

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Table of contents. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. 7–8.

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Front matter. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. .

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Křístek, Michal. Conclusions and possibilities for further research. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. 95–103.

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Křístek, Michal. British theories of style. In: Křístek, Michal. A comparison of 20th century theories of style (in the context of Czech and British scholarly discourses). 2012, pp. 46–65.

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Flašar, Martin. Předmluva. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 5.

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Flašar, Martin. Úvod. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 9–11.

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Back matter. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. .

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Flašar, Martin. Poème électronique. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 98–143.

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Flašar, Martin. Le Corbusier – hudba a architektura. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 91–97.

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Flašar, Martin. Summary. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 148.

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Flašar, Martin. Metodologické meditace. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 12–20.

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Flašar, Martin. Edgard Varèse – humanista a Brancusi soudobé hudby. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 45–67.

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Obsah. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 6–8.

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Front matter. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. .

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Flašar, Martin. Závěry, interpretace, hodnocení. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 144–147.

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Flašar, Martin. Přílohy. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 157–162.

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Flašar, Martin. Zusammenfassung. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 149.

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Flašar, Martin. Iannis Xenakis. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 68–90.

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Flašar, Martin. Seznam pramenů a literatury. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 150–156.

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Flašar, Martin. Teoretické, technologické a estetické předpoklady Varèseho tvorby. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 21–44.

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Preface. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 3–5.

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Freemanová, Michaela. The Moravian monasteries of the Order of Brothers Hospitallers and their music collections. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 17–24.

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Mąndry, Alina, Frankowski, Patryk. Perneckher's Harmonia Pastorella and C. P. E. Bach's Trio in F − a rare example of compositions for concertato bass recorder. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 189–197.

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Dunlop, Alison Jayne. Forgotten musicians. Documenting musical life at the Viennese imperial court in the eighteenth century. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 93–112.