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Šaur, Josef. Summary: Boris N. Chicherin on Russian history : (state school as a historiographic and social phenomenon). In: Šaur, Josef. Boris N. Čičerin o ruských dějinách : (státní škola jako historiografický a společenský fenomén). 2015, pp. 269–270.

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Krejčí, Pavel. Toponyms in Czech, Croatian and Bulgarian phraseology : summary. In: Krejčí, Pavel. Toponyma v české, chorvatské a bulharské frazeologii. 2022, pp. 212–220.

Serial
TIM ezin. 2011–2014

Article
Kadıoğlu Çevik, Nihal. The journey of ceremonial foods as an expression of cultural identity in Macedonian immigrants settled in Turkey (İzmir). Porta Balkanica. 2022, vol. 13, iss. 1-2, pp. 63–78.

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Slavica litteraria. Slavica litteraria. 2022, vol. 25, iss. 2, pp. 210.

Chapter
Šťastná, Kateřina Alexandra. Christian Gottfried Krause: Von der musikalischen Poesie – an annotated translation : summary. In: Šťastná, Kateřina Alexandra. , Krause, Christian Gottfried. Christian Gottfried Krause: O hudební poezii : komentovaný překlad. 2022, pp. 313–314.

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Veselovská, Eva. The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 53–77.

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Musil, Ondřej. Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 145–161.

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Henzelmann, Martin. A section on Ukrainian studies at the German congress of Slavists. Opera Slavica. 2022, vol. 32, iss. 4, pp. 65–68.

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Hruška, Viktor. Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.

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Kajanová, Yvetta. Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.

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Dobšinský, Peter. The AMC Trio jazz combo and their inspirations drawn from Slovak folk music. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 75–88.

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Pavlica, Lukáš. The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.

Serial
Opera Slavica. 1991–

Article
Žilka, Tibor. Intertextuality in Slovak prose and drama. Sborník prací Filozofické fakulty brněnské univerzity. X, Řada literárněvědné slavistiky. 2005, vol. 54, iss. X8, pp. 47–58.

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Paučová, Lenka. Saint Petersburg and Dostoyevsky's Diary of a Writer : on the edge of a literary genre. Новая русистика. 2020, vol. 13, iss. 1, pp. 45–54.

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Kostincová, Jana. Dora Vey lives and works in St. Petersburg : Russian poetry written by people and algorithms. Новая русистика. 2020, vol. 13, iss. 1, pp. 37–43.

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Баженова, Татьяна Евгеньевна. Специфика кодирования представлений о человеке в русских говорах Среднего Поволжья. Новая русистика. 2019, vol. 12, iss. 1, pp. 19–29.

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Vazanova, Marina. Introducing componential analysis into a Russian language course. Новая русистика. 2019, vol. 12, iss. 1, pp. 5–17.

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Pechal, Zdeněk. Brněnská studie o ruském románu. Новая русистика. 2008, vol. 1, iss. 1, pp. 83–85.

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Kaščák, Matwe. Galerie TIM uvádí: The Influence: digitálny odtlačok procesu mojho asociačného myslenia. TIM ezin. 2013, vol. 3, iss. 1-2, pp. 221–222.

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Kapičiak, Jakub. Tracing Dmitrij Prigov in contemporary Russia : preliminary remarks on postmodern (dis)continuity. Новая русистика. 2020, vol. 13, iss. 2, pp. 5–18.

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Tellinger, Dušan. On interpreter's intercultural awareness. Opera Slavica. 2016, vol. 26, iss. 2, pp. 49–55.

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Iliev, Ivan G., Petkov, Petko D.. An unknown model for constructing the negative imperative in Bulgarian. Opera Slavica. 2018, vol. 28, iss. 2, pp. 39–44.

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Koseska-Toszewa, Violetta. Many-volume contrastive grammar of Bulgarian and Polish. Opera Slavica. 2009, vol. 19, iss. 2, pp. 36–43.

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Kyzlinková, Lidia. Eliot and Tennyson : (some facts to the dramatic technique of Murder in the cathedral). Sborník prací Filozofické fakulty brněnské univerzity. D, Řada literárněvědná. 1974, vol. 23, iss. D21, pp. 131–144.

Article
Pospíšil, Ivo. "The old times" and the genre forms : an interpretative triangle. Opera Slavica. 1994, vol. 4, iss. 1, pp. 39–45.