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Jochymczyk, Maciej. Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 251–260.

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Freemanová, Michaela. Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 175–187.

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Jeż, Tomasz. Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 261–273.

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Ryszka-Komarnicka, Anna. Arcangelo Spagna's "perfetto melodramma spirituale" as seen on the example of two versions of his oratorio based on the Book of Judith. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 73–88.

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Mellace, Raffaele. From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 235–249.

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Khokhlova, Elena. Opera in cinema: aspects of video expressive means in modern opera. Musicologica Brunensia. 2015, vol. 50, iss. 2, pp. 147–155.

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Škapcová, Tatiana. Národná hudba: nutnosť, alebo voľba? : niekoľko poznámok k hudobným vzťahom Čechov a Slovákov v období prvej Československej republiky. Musicologica Brunensia. 2015, vol. 50, iss. 2, pp. 39–51.

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Al Bakri, Tsonka, Mallah, Mohammed, Nuserat, Nedal. Al Adhan : documenting historical background, practice rules, and musicological features of the muslim call for prayer in Hashemite Kingdom of Jordan. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 167–185.

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Weiss, Jernej. Changes in the music scene in Slovenia after 1918. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 37–49.

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Baťa, Jan. Remarks on the Festivities of the Order of the Golden Fleece in Prague (1585). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 25–35.

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Maňas, Vladimír. The choir lofts in the church of St. James in Brno : (between the late 15th and the 19th centuries). Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 103–111.

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Leszczyńska, Agnieszka. Liturgical function and Gregorian chant in the music of Paulus Bucenus. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 91–102.

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Desmet, Marc. "Ut omni tempore inservire queant…" : a reflection on the structure of Jacobus Handl's Opus musicum and its association with a liturgical context. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 5–24.

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Škvařil, Lumír. Musicologically relevant sources from the manuscript collection of the parish church of St. James in Brno. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 145–153.

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Kiss, Gábor. Mixing local and regional, traditional and non-traditional elements: the case of the graduale Wladislai. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 79–90.

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Žáčková Rossi, Michaela. "...questo Bassista è buona persona..." : a short overview of sources for the Rudolfine Imperial court environment's studies. Musicologica Brunensia. 2016, vol. 51, iss. 1, pp. 155–167.

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Comparin, Chiara. Mapping the presence of Paduan repertoire in European anthologies in the first half of the seventeenth century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 25–40.

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Pavlica, Lukáš. Musical inventories of the St. Peter and Paul (Brno) church in the 18th and early 19th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 281–330.

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Kratochvílová, Jana. Inventory from 1761 of the deanery Church of Assumption of the Virgin Mary in Most. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 161–177.

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Schreurs, Eugeen. Musica Antiqua-Musica Nova? : three unpublished inventories from Tongeren and Hasselt, in the context of religious music in the Southern Netherlands and the Prince-bishopric of Liège (c. 1650–1790). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 129–160.

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Ratolístková, Michaela, Spáčilová, Jana. The music collection of the Brno St. James regenschori Matthaeus Rusmann and its inventory from 1763. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 201–219.

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Hulková, Marta. Italian music in the 17th century in the regions of Spiš and Šariš in the Evangelical Churches of the Augsburg Confession. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 41–60.

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Franková, Jana. Music at the court of Adam Franz and Joseph Adam von Schwarzenberg : Vienna, Český Krumlov and Paris and transitions at to the end of baroque era. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 159–177.

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Cseres, Jozef. Hlas a gesto v operách Harryho Partcha a Johna Zorna. Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 33–38.

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Zouhar, Vít. Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané). Musicologica Brunensia. 2013, vol. 48, iss. 2, pp. 191–199.

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Celhoffer, Martin. Approaching Bartok's [i.e. Bartók's] notation in terms of authenticity. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 3–8.

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Cseres, Jozef. Skladanie diferencií, alebo, Hudba medzi. Musicologica Brunensia. 2012, vol. 47, iss. 2, pp. 9–15.

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Kajanová, Yvetta. World music, flamenco, klezmer and traditional folk music in Slovakia. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 25–40.

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Urniežius, Rytis. Arrangement competences of music teachers : readiness to meet unexpected. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 139–147.

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Pavlica, Lukáš. Jan Fryček in the inventories of the Premonstratensian Monastery in Nová Říše. Musicologica Brunensia. 2020, vol. 55, iss. 2, pp. 41–67.