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Obsah. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 3.

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Veselovská, Eva. The Latin Office of the Dead in mediaeval manuscripts from the territory of Slovakia. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 53–77.

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Musil, Ondřej. Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 145–161.

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Obsah. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 3.

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Hruška, Viktor. Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.

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Kajanová, Yvetta. Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.

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Dobšinský, Peter. The AMC Trio jazz combo and their inspirations drawn from Slovak folk music. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 75–88.

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Pavlica, Lukáš. The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.

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Šťastná, Kateřina Alexandra. Christian Gottfried Krause: Von der musikalischen Poesie – an annotated translation : summary. In: Šťastná, Kateřina Alexandra. , Krause, Christian Gottfried. Christian Gottfried Krause: O hudební poezii : komentovaný překlad. 2022, pp. 313–314.

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Racek, Jan. Schlusswort. In: Racek, Jan. Stilprobleme der italienischen Monodie : ein Beitrag zur Geschichte des einstimmigen Barockliedes. 1965, pp. 213–215.

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Srba, Bořivoj. Muses in exile. In: Srba, Bořivoj. Múzy v exilu : kulturní a umělecké aktivity čs. exulantů v Londýně v předvečer a v průběhu druhé světové války, 1939-1945 : kulturní politika, "pódiové" programy, koncerty, literární a recitační pořady, taneční vystoupení, divadelní představení, rozhlasová pásma a hry, filmová tvorba, časopisecká a ediční činnost, ideové diskuze. 2003, pp. 854–858.

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Střítecký, Jaroslav. The Czech Question a century later. In: Střítecký, Jaroslav. Studie a stati. 1. 2017, pp. 66–81.

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Maňas, Vladimír. Nicolaus Zangius : the musician at the turn of the 16th and 17th centuries : the life of an unknown : summary. In: Maňas, Vladimír. Nicolaus Zangius: hudebník přelomu 16. a 17. století : na stopě neznámému. 2020, pp. 157–161.

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Flašar, Martin. Poème électronique. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 98–143.

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Flašar, Martin. Summary. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 148.

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Flašar, Martin. Edgard Varèse – humanista a Brancusi soudobé hudby. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 45–67.

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Flašar, Martin. Iannis Xenakis. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 68–90.

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Flašar, Martin. Teoretické, technologické a estetické předpoklady Varèseho tvorby. In: Flašar, Martin. Poème électronique, 1958 : Le Corbusier, E. Varèse, I. Xenakis. 2012, pp. 21–44.

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Beckerman, Michael. Klein the Janáčkian. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 25–33.

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Tyrrell, John. Janáček, religion and belief. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 209–215.

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Špaček, Jan. Private feelings and public statements in the music of Dmitry Shostakovich. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 203–208.

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Appendices [– Photo gallery]. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 233–254.

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Kopecký, Jiří. Wagnerism in the Czech lands around 1900. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 83–90.

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Kokole, Metoda. Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.

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Žůrek, Pavel. The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.

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Spurný, Lubomír. Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.

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Beck, Kimberly. Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.