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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Aaronson, Brenda C., Krader, Barbara. A partial survey of late 18th century publications of Czech music in Western Europe. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1965, vol. 14, iss. F9, pp. 13–21.

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Autoři. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 2003, vol. 52, iss. F47, pp. 117.

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Rybarič, Richard. Slovenská hudba 17. až 18. storočia vo svetle novoobjavených prameňov. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1965, vol. 14, iss. F9, pp. 227–244.

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Jakobson, Roman. Methodius' Canon to Demetrius of Thessalonica and the Old Church Slavonic Hirmoi. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1965, vol. 14, iss. F9, pp. 115–121.

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Jocoy, Stacey. Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.

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Grant, Teresa. "With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.

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Šalounová, Kateřina. Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.

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Daniel, Clara. Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.

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Stehlíková, Karolína, Lollike, Christian. I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.

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Klembarová, Klaudia. Performatívne umenie v teréne Brna. Theatralia. 2020, vol. 23, iss. 2, pp. 189–191.

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Poláčková, Eliška. Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.

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Kačer, Tomáš, Drozd, David. (Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.

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Ambros, Veronika. Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.

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Drábek, Pavel. A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.

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Musilová, Martina. Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.

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Pożar, Przemysław. The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.

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Havlíčková Kysová, Šárka. Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.

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Osolsobě, Petr. The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.

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Fořt, Bohumil. On poetic types or on more?. Theatralia. 2020, vol. 23, iss. 1, pp. 54–61.

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Kačer, Tomáš, Shurma, Svitlana. Editorial. Theatralia. 2020, vol. 23, iss. 1, pp. 7–11.

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Turzíková, Tereza. On performance/performativity today and tomorrow. Theatralia. 2020, vol. 23, iss. 1, pp. 175–177.

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Maryška, Martin. Theatre graphics and graphic theatre : Zich's semantics in posters and publicity. Theatralia. 2020, vol. 23, iss. 1, pp. 105–129.

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Kačer, Tomáš, Volek, Emil, Pérez-Simón, Andrés. Interview with Emil Volek and Andrés Pérez-Simón, translators of Zich's 'The Theatrical Illusion'. Theatralia. 2020, vol. 23, iss. 1, pp. 151–156.

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Locke, Brian S.. Ruthless polyphony and audible silences : musico-dramatic narrative in Otakar Zich's Vina. Theatralia. 2020, vol. 23, iss. 1, pp. 62–80.

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Shurma, Svitlana, Kornienko, Nelly. Interview with Nelly Kornienko. Theatralia. 2020, vol. 23, iss. 1, pp. 157–161.