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Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

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Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

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Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

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Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.

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Revermann, Martin. Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.

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Meerzon, Yana. On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.

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Pérez-Simón, Andrés. Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.

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Ambros, Veronika, Switzky, Lawrence. "Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.

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Dercks, Ute. "… dove l'epidemia fotografica si è diffusa" : architectural photographs in nineteenth-century Sicily. Convivium. 2019, vol. 6, iss. 2, pp. 30–45.