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Havlíčková Kysová, Šárka, Příhodová, Barbora. From the editors. Theatralia. 2012, vol. 15, iss. 2, pp. 7–8.

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Satková, Naďa. The faces of European direction. Theatralia. 2012, vol. 15, iss. 2, pp. 192–194.

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Havlíčková Kysová, Šárka. Nicola Savarese. Eurasian theatre: drama and performance between East and West from classical antiquity to the present. Theatralia. 2012, vol. 15, iss. 2, pp. 211–219.

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Ambros, Veronika. Puppets, statues, men, objects, and the Prague School. Theatralia. 2012, vol. 15, iss. 2, pp. 74–88.

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Stehlíková, Eva. Payment on debt. Theatralia. 2012, vol. 15, iss. 2, pp. 187–188.

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Toro, Fernando de. The legacy of the Linguistic Circle of Prague. Theatralia. 2012, vol. 15, iss. 2, pp. 24–36.

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Havlíčková Kysová, Šárka, Příhodová, Barbora. Miroslav Kouřil's theory of scenography in the archive materials : a research report. Theatralia. 2012, vol. 15, iss. 2, pp. 227–231.

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Drábek, Pavel. John Russell Brown. Studying Shakespeare in performance. Theatralia. 2012, vol. 15, iss. 2, pp. 194–196.

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Příhodová, Barbora. Donatella Barbieri. Encounters in the Archive. Theatralia. 2012, vol. 15, iss. 2, pp. 207–209.

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Puchner, Walter. Jiří Veltruský. An approach to the semiotics of theatre. Theatralia. 2012, vol. 15, iss. 2, pp. 220–226.

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Havlíčková Kysová, Šárka. "Asian" theatre sign : its potential and its limits in the history of the Czech Structuralist thought. Theatralia. 2012, vol. 15, iss. 2, pp. 89–99.

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Šlaisová, Eva. "Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding. Theatralia. 2012, vol. 15, iss. 2, pp. 154–167.

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Schmid, Herta. The concept of sign, its origin and influence on Mukařovský's Structuralism. Theatralia. 2012, vol. 15, iss. 2, pp. 112–124.

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Pavis, Patrice. Semiology after semiology. Theatralia. 2012, vol. 15, iss. 2, pp. 37–49.

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Meerzon, Yana. Concretization‒transduction‒adaptation : on Prague School legacy in theatre studies today. Theatralia. 2012, vol. 15, iss. 2, pp. 125–153.

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Drábek, Pavel. Launching a structuralist assembly : convening the scattered structures. Theatralia. 2012, vol. 15, iss. 2, pp. 13–23.

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Drábek, Pavel. German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.

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Havlíčková Kysová, Šárka. Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.

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Mikyšková, Anna, Škrobánková, Klára. The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.

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Braga Riera, Jorge. Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.

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Krajník, Filip. Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.

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Cetera-Włodarczyk, Anna, Pożar, Przemysław. Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.

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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda. "Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.

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Morini, Massimiliano. Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.