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Pavlica, Lukáš. The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.

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Slavíček, Lubomír, Šeferisová Loudová, Michaela. Editorial. Opuscula historiae artium. 2022, vol. 71, iss. 1-2, pp. 3–6.

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Plassard, Didier. Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.

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Raiterová, Eliška. To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.

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Orawczak Kunešová, Mariana, Béhar, Henri. Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.

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Šlaisová, Eva. Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.

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Veselovska, Hanna. Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.

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Toporišič, Tomaž. The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.

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Jochmanová, Andrea, Orawczak Kunešová, Mariana. The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.

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Kosiński, Dariusz. Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.

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Drábek, Pavel. Translating the theatre act. Theatralia. 2022, vol. 25, iss. 1, pp. 166–171.

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Orawczak Kunešová, Mariana. André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.

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Havlíčková Kysová, Šárka. Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.

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Chechyk, Valentyna. Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.

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Foletti, Ivan, Okáčová, Marie, Palladino, Adrien. A radical turn? : "late antique" anxiety, rupture, and creative continuity. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 11–21.

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Foletti, Ivan, Okáčová, Marie. An age of fragmentation : evidence from late antique literary, visual, and material cultures. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 24–47.

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Mikulová, Jana. The variability of late Latin authors' means for marking direct discourse. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 48–59.

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Croci, Chiara. "Abbreviated" depictions? : questions on the earliest Christian images. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 60–77.

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Virdis, Alberto. Fragmentation as a visual principle : from Cloisonné to early stained glass. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 78–97.

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Meinecke, Katharina. Ornamental surfaces : a "global trend" in late antique Afro-Eurasia. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 98–117.

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Photographic credits. Convivium. 2022, vol. 9, iss. Supplementum 2, pp. 156–157.

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Hanáčková, Andrea. Tendons, meat, fat : the invisible body in the liminal space of podcasting. Theatralia. 2022, vol. 25, iss. 2, pp. 62–80.