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Belting, Hans. A Venetian artist at the Ottoman court : an encounter of two worlds. Convivium. 2018, vol. 5, iss. 2, pp. 14–31.

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Photographic credits. Convivium. 2018, vol. 5, iss. 2, pp. 166–167.

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Foletti, Ivan. Vivre le pèlerinage (médiéval) : une expérience corporelle. Convivium. 2018, vol. 5, iss. 2, pp. 137–150.

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Janjalia, Mzia, Bulia, Marina. Trend versus cultural context in medieval art : the case of the Kirants paintings. Convivium. 2018, vol. 5, iss. 2, pp. 32–49.

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Foletti, Ivan, Scirocco, Elisabetta. Reflections on mobility, the roots and prospects of European culture. Convivium. 2018, vol. 5, iss. 2, pp. 11–12.

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Hoch, Adrian S.. [Images and words in exile: Avignon and Italy during the first half of the 14th century]. Convivium. 2018, vol. 5, iss. 2, pp. 162–165.

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Bergmeier, Armin F.. [Pentcheva, Bissera V. Hagia Sophia: sound, space, and spirit in Byzantium]. Convivium. 2018, vol. 5, iss. 2, pp. 154–158.

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Wilkins, Sarah S.. Countenances as lightning : the materiality of the Noli me tangere Fresco in Assisi. Convivium. 2018, vol. 5, iss. 2, pp. 82–97.

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Rywiková, Daniela. Virtues and vices reformed? : visual pastoralia in fourteenth-century Bohemian art. Convivium. 2018, vol. 5, iss. 2, pp. 50–67.

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Marcaletti, Livio. Die keusche Penelope und der zornige Odysseus : Kursieren einer tragikomischen Opernhandlung zwischen Wien und Norditalien. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 85–97.

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Spáčilová, Jana. Orlandini's Antigona (vendicata) : transformation of a Venetian opera on its transalpine journey. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 227–248.

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Slouka, Petr. Viva eterno Leopoldo! : Italian birthday serenatas by Johann Heinrich Schmelzer. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 35–46.

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Zedler, Andrea, Boschung, Magdalena. Musica transalpina : Text- und Musiktransfer am Beispiel des römischen Kantaten- und Serenatenrepertoires von Antonio Caldara. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 57–71.

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Seifert, Herbert. Die Brüder Ferdinand III. und Leopold Wilhelm, ihre Stellung zu ihrem Lehrer Giovanni Valentini, zur Dichtung und zur Musik. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 5–18.

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Żórawska-Witkowska, Alina. L'eroe cinese von Pietro Metastasio und Johann Adolf Hasse, Warschau 1754. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 249–259.

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Scharrer, Margret. Zwischen Venedig, Rom und Versailles – italienische Kastraten auf Abwegen?. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 283–295.

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Hochradner, Thomas. "weil es eine der Geheimnisse von Rom" : die Mozarts als verhinderte Überbringer von Allegris Miserere. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 325–337.

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Jung, Hermann. "Italianità" als musikalisches Phänomen im barocken Europa : zu Opern und Kantaten in Frankreich und Deutschland. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 317–323.

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Pelliccia, Emilia. Francesco Borosini (*Ca. 1690, † Nach 1756) : Leben und Karriere eines Tenors im Frühen Settecento. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 109–121.

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Ryszka-Komarnicka, Anna. Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.

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Selfridge-Field, Eleanor. The Teatro Sant'Angelo : cradle of fledgling opera troupes. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 157–170.

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Kačic, Ladislav. Italienische Musiker am Hof des Emmerich Esterházy in Preßburg und die Kontakte mit der Kaiserlichen Hofmusikkapelle in Wien. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 171–190.

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Page, Janet K.. Vienna's Ursuline Convent and the Via Allemagna : travel, music, letters. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 47–56.